Took the "C" train from Port Javal De Bas to the museum. Tried to tap our card FAIL. It just so happened that Kate came stepping through the turnstile as we were fumbling around and loaned us her two passes to get down here and then once we got off the train we bought our own passes. The museum was packed with people but we covered quite a bit of ground in the 3 hrs we were there. Cafe was too crowded and restaurants too expensive so we grabbed a Jambon beurre from a sandwich cart outside and wolfed it down before hopping back on the train for NotreDame.Read more
TravelerThis photo shows the bronze rhinoceros sculpture outside the Musée d’Orsay in Paris — one of four monumental animal statues that greet visitors at the museum’s main entrance along the Rue de Lille. ⸻ 🦏 About the Sculpture • Title: Rhinocéros • Artist: Henri-Alfred Jacquemart (1824–1896) • Date: Cast in 1878 for the Exposition Universelle (World’s Fair) • Material: Bronze • Style: Highly naturalistic with a hint of theatricality, typical of 19th-century zoological sculpture • Subject: An Indian rhinoceros (Rhinoceros unicornis), known for its distinctive armor-like skin folds ⸻ 🏛️ Musée d’Orsay Context • Originally a Beaux-Arts train station (Gare d’Orsay) built for the 1900 World’s Fair • Now a museum housing French art from 1848–1914, including masterpieces by Monet, Degas, Van Gogh, and more • The animal sculptures out front are a tribute to natural history and academic sculpture, symbolizing France’s fascination with exotic animals during its colonial era ⸻ 🐘 Other Animals Nearby: The rhino is part of a quartet of bronze animal statues: • A horse • An elephant • A bison • And this rhinoceros They were originally part of cast-iron garden sculpture programs for Tuileries or the Paris zoo but now serve as striking outdoor pieces that set the tone for the museum’s fusion of industry, art, and imagination.
TravelerThis painting is “Blue Dancers” (Danseuses bleues) by Edgar Degas, one of the iconic masterpieces housed at the Musée d’Orsay in Paris. ⸻ 🎨 About the Painting: • Artist: Edgar Degas (1834–1917) • Title: Danseuses bleues (Blue Dancers) • Date: ca. 1897 • Medium: Pastel on paper mounted on canvas • Style: Impressionism, with Degas’ distinctive use of pastel layering and cropping • Location: Musée d’Orsay, Paris ⸻ 🩰 What Makes It Special: • Degas was fascinated by ballet dancers, capturing them not just in performance but also in rehearsal, rest, and preparation. This work emphasizes movement, color, and composition over realistic detail. • The dancers’ blue tutus dominate the canvas, swirling in circular formation, while the background blurs into impressionistic dabs of color—suggesting foliage or backstage lighting. • Degas’ cropping of figures reflects the influence of Japanese prints (ukiyo-e) and modern photography, adding to the painting’s sense of spontaneity and immediacy. ⸻ 🖼️ Fun Fact: Degas created dozens of works featuring dancers—paintings, pastels, sketches, and sculptures—making ballet a central theme of his artistic life. This piece is especially beloved for its harmony of color and movement.
TravelerThis is “Houses of Parliament, Sunset” (Le Parlement, effet de soleil couchant) by Claude Monet, part of his celebrated London series — and this particular version is housed in the Musée d’Orsay in Paris. ⸻ 🎨 Artwork Details: • Artist: Claude Monet (1840–1926) • Title: Houses of Parliament, Sunset • Date: 1904 • Medium: Oil on canvas • Location: Musée d’Orsay, Paris ⸻ 🌆 Background & Context: Monet painted nearly 100 views of London between 1899 and 1905, primarily from his hotel room at the Savoy Hotel, where he looked across the Thames at the Houses of Parliament, Charing Cross Bridge, and Waterloo Bridge. This painting captures the sun setting through London fog, transforming the sky and river into a glowing haze of oranges, purples, and blues. The Gothic silhouette of the Parliament building looms mysteriously through the mist. ⸻ ✨ Key Artistic Features: • Impressionist technique: Short, thick brushstrokes of complementary colors to create atmosphere rather than sharp detail. • Color & light: Monet was fascinated by how light changed at different times of day, especially in foggy or smoggy London. • Repeated subject: Like his Rouen Cathedral and haystacks, Monet painted the same view repeatedly under varying light and weather conditions to explore perception and time. ⸻ 🖼️ Fun Fact: Monet didn’t finish these paintings in London — he took them back to Giverny to complete them in his studio, working from memory and sketches.
Traveler
This photo shows the bronze rhinoceros sculpture outside the Musée d’Orsay in Paris — one of four monumental animal statues that greet visitors at the museum’s main entrance along the Rue de Lille. ⸻ 🦏 About the Sculpture • Title: Rhinocéros • Artist: Henri-Alfred Jacquemart (1824–1896) • Date: Cast in 1878 for the Exposition Universelle (World’s Fair) • Material: Bronze • Style: Highly naturalistic with a hint of theatricality, typical of 19th-century zoological sculpture • Subject: An Indian rhinoceros (Rhinoceros unicornis), known for its distinctive armor-like skin folds ⸻ 🏛️ Musée d’Orsay Context • Originally a Beaux-Arts train station (Gare d’Orsay) built for the 1900 World’s Fair • Now a museum housing French art from 1848–1914, including masterpieces by Monet, Degas, Van Gogh, and more • The animal sculptures out front are a tribute to natural history and academic sculpture, symbolizing France’s fascination with exotic animals during its colonial era ⸻ 🐘 Other Animals Nearby: The rhino is part of a quartet of bronze animal statues: • A horse • An elephant • A bison • And this rhinoceros They were originally part of cast-iron garden sculpture programs for Tuileries or the Paris zoo but now serve as striking outdoor pieces that set the tone for the museum’s fusion of industry, art, and imagination.
Traveler
This painting is “Blue Dancers” (Danseuses bleues) by Edgar Degas, one of the iconic masterpieces housed at the Musée d’Orsay in Paris. ⸻ 🎨 About the Painting: • Artist: Edgar Degas (1834–1917) • Title: Danseuses bleues (Blue Dancers) • Date: ca. 1897 • Medium: Pastel on paper mounted on canvas • Style: Impressionism, with Degas’ distinctive use of pastel layering and cropping • Location: Musée d’Orsay, Paris ⸻ 🩰 What Makes It Special: • Degas was fascinated by ballet dancers, capturing them not just in performance but also in rehearsal, rest, and preparation. This work emphasizes movement, color, and composition over realistic detail. • The dancers’ blue tutus dominate the canvas, swirling in circular formation, while the background blurs into impressionistic dabs of color—suggesting foliage or backstage lighting. • Degas’ cropping of figures reflects the influence of Japanese prints (ukiyo-e) and modern photography, adding to the painting’s sense of spontaneity and immediacy. ⸻ 🖼️ Fun Fact: Degas created dozens of works featuring dancers—paintings, pastels, sketches, and sculptures—making ballet a central theme of his artistic life. This piece is especially beloved for its harmony of color and movement.
Traveler
This is “Houses of Parliament, Sunset” (Le Parlement, effet de soleil couchant) by Claude Monet, part of his celebrated London series — and this particular version is housed in the Musée d’Orsay in Paris. ⸻ 🎨 Artwork Details: • Artist: Claude Monet (1840–1926) • Title: Houses of Parliament, Sunset • Date: 1904 • Medium: Oil on canvas • Location: Musée d’Orsay, Paris ⸻ 🌆 Background & Context: Monet painted nearly 100 views of London between 1899 and 1905, primarily from his hotel room at the Savoy Hotel, where he looked across the Thames at the Houses of Parliament, Charing Cross Bridge, and Waterloo Bridge. This painting captures the sun setting through London fog, transforming the sky and river into a glowing haze of oranges, purples, and blues. The Gothic silhouette of the Parliament building looms mysteriously through the mist. ⸻ ✨ Key Artistic Features: • Impressionist technique: Short, thick brushstrokes of complementary colors to create atmosphere rather than sharp detail. • Color & light: Monet was fascinated by how light changed at different times of day, especially in foggy or smoggy London. • Repeated subject: Like his Rouen Cathedral and haystacks, Monet painted the same view repeatedly under varying light and weather conditions to explore perception and time. ⸻ 🖼️ Fun Fact: Monet didn’t finish these paintings in London — he took them back to Giverny to complete them in his studio, working from memory and sketches.