Museo Casa de los Tiros

I cannot hope to match the eloquence of Francisco Izquierdo in his evocative commentary of the 1983 tryptich entitled "Dispair" by Juan Manuel Brazam
on view in the Museum:

"The colossal language, which gags static voices with the bandages of suffering, totems of the immediate, which changes broken limbs into memorial stones, which culturally orders the labyrinths of blood, which transforms sexes unknown and charismatic into funerary drums, which denies any means of evasion or resurrection, being the plunder of that moment, the new seed, that stony monologue or that fierce weeping is the material with which Juan Manuel Brazam works the masterpiece on the eighth day."

Beside that prose, the ceiling displaying all the kings of Spain becomes mundane.Читать далее