• Happy Days Travel
Current
  • Happy Days Travel

Solo Trip to India and Nepal

This is my first solo overseas trip since Mark died earlier this year. I'm excited to return to India and to explore Nepal for the first time, but it will be strange not to have Mark with me to share the experience with. Read more
  • Last seen in
    🇮🇳 Mandrem, India

    More photos of the workshop

    January 10 in India ⋅ ⛅ 31 °C

    After the class, I set off to walk back to Maya. As I approached Umesh's house, he was standing outside. He was cross that I hadn't called him to pick me up (locals really don't walk around here!), and insisted that I come in to meet his wife and baby boy before he ran me home. I declined the crab and rice they were having for lunch, but was grateful for some delicious fresh watermelon slices.

    Back at Maya, I showered and watched a bit of TV before going to listen to Saahil sing and play the guitar. Following the low attendance at the last couple of Saturday night events, tonight was just live music - no stalls or other activities. It's a good job as it was just the family, Neha, and me! It made for a chilled evening.

    When it was over, I checked my phone and had a message from Manda, who I worked with in Vietnam many moons ago. She had seen that I was at Maya and told me that her friend who she plays in a band with in Albania, is playing here on Friday night! What a very small world we live in 😊
    Read more

  • Cyanotype printing workshop

    January 10 in India ⋅ ☀️ 28 °C

    Today, I had booked a cyanotype printing class at an art studio, a 40-minute walk from here. I didn't want to arrive all sweaty, so I arranged for Umesh to take me. I was wishing I hadn't when he didn't turn up at the pre-arranged time, and didn't answer when I called him! I think he was asleep. When I called the second time, he answered. Luckily, he only lives down the road, so I wasn't too late!

    I had never heard of cyanotype printing, but it looked interesting on the studio's website, and so it proved to be. Cyanotype printing is a simple, photographic process, first done in 1842, creating striking Prussian blue prints, often called blueprints, by applying a light-sensitive chemical solution (ferric ammonium citrate & potassium ferricyanide) to paper or fabric, placing objects or negatives on it, exposing it to UV light (sunlight), and then washing it in water to reveal white lines/images against a deep blue background. It's camera-less, eco-friendly, and popular for photograms (images from objects) and botanical prints.

    The tutor, Aishwarya, was lovely. She gave clear instructions and was genuinely interested in the prints we produced. My fellow students were Abbey from Canada and her Indian husband. We spent a very pleasant three hours creating art with, in my case at least, zero artistic talent! It was fascinating to see our ideas come to life as our work developed in the sun. I'm keen to try the technique on cotton fabric. I can then embellish the designs with sashiko stitching.
    Read more

  • A beach day

    January 9 in India ⋅ ☀️ 29 °C

    I spent yesterday working and have now launched my Stitch and Sell ebook and workbook. Fingers crossed people want to buy it!

    Today, I was at the beach. Jasmine and the other sellers are all bemoaning the fact that there are very few tourists around, and the ones who are here are Russians who don't spend any money!

    I had chicken biryani for dinner at the beach shack - it was the best I've ever had 😊. Walking home, I had to navigate the bull on a rope, as well as the usual traffic 😂. I love Indian life 😊
    Read more

  • Aguada Fort and St Anthony's Church

    January 7 in India ⋅ ☀️ 29 °C

    After the boat trip, Umesh dropped me off a few hundred metres down the coast to see more of the original walls of the lower fort. It gives you some idea of the vastness of the whole complex.

    On our way back to Mandrem, our last stop of the day was at St. Anthony's Church in Siolim. The Franciscans built the first church on the site in 1600. For safety reasons, it had to be demolished in 1900. The beautiful church we see now was completed in 1907. Sadly, I could only admire it from the outside. There was a service going on, and there was no way the security guard was going to let me in! I made do with taking photos of the exterior, the nativity displays, and the huge statue of Christ across the road. 

    Back in the car, I was telling Umesh about my struggles to get an Indian SIM card. He made a call to a friend who could help and arranged for us to meet him at 6.30pm. So, Umesh dropped me at Maya at 5.15 with a plan to pick me up again at 6. I needed to pick up my passport and some money, and just had time to order and eat a chicken fried rice 😊. I shared it with Neha.

    Umesh's friend was as good as his word and I now have three months unlimited data on Mark's phone. To show me it was working, the guy clicked on YouTube. It immediately came up with Your Song by Elton John. It must have been the last thing Mark watched on there 😊.

    When, I got back to Maya, Neha was still there, so I sat chatting to her until she went home.
    Read more

  • Dolphin spotting 😀

    January 7 in India ⋅ ☀️ 31 °C

    From the fort, we drove back down to the river, where I went on a dolphin-spotting boat trip out into the Arabian Sea. It was my first solo boat trip. Mark always loved going out on a boat, so it's something we always did. I wonder when these 'first' occasions will end 🙁.

    I enjoyed the trip, even though we only had one very brief glimpse of a dolphin! It was nice to see the fort from the sea, and the fishing boats sorting out their catches.
    Read more

  • Aguada Upper Fort and Lighthouse

    January 7 in India ⋅ ☀️ 30 °C

    After a quick refreshment stop, Umesh drove me to the upper fort which has a moat, underground water storage chamber, gunpowder room, lighthouse, and bastions. It also has a secret escape passage to use during time of war and emergency. 

    The Aguada Fort Lighthouse, erected in 1864, is the oldest of its kind in Asia. It is located across the river from the peninsula encompassing Panaji and just south of Candolim beach. It was replaced by a new lighthouse in 1976 after serving for over a century.

    As I walked around the upper fort, I had similar experiences to when I was in Old Goa. I was probably the only western tourist amongst hundreds of Indians, so I was stopped several times to have selfies!
    Read more

  • A visit to Fort Aguada Jail and Museum

    January 7 in India ⋅ ☀️ 30 °C

    We then drove to Aguada Fort, originally constructed by the Portuguese in 1612 to guard against the threat of Dutch invasion. Built at the mouth of the Mandovi River, It was the most prized and strategically important fort of the Portuguese occupation. It is so large that it envelops the entire peninsula at the southwestern tip of Bardez. 

    A freshwater spring within the fort provided fresh water to the ships that used to stop by. This is how the fort got its name: Aguada, meaning watery place in Portuguese. The fort has the capacity to store 2,376,000 gallons of water, one of the biggest freshwater storage tanks of the time in the whole of Asia. 

    Aguada Fort is divided into two segments: the upper part acted as a fort and watering station, while the lower part served as a safe berth for Portuguese ships. 

    I had booked a 12 noon walking tour of Fort Aguada Jail and Museum (the lower part) with Make it Happen - the same company I used in Panjim and Old Goa, so we went there first. I was the only customer today. My guide, Shiv, was knowledgeable, but his delivery was rather perfunctory. He did the minimum and was then off on his scooter, leaving me to explore the onsite museums by myself. It was OK, though - I still enjoyed my visit.

    During the Salazar Administration, the lower part of Fort Aguada was repurposed for use as a prison primarily for Salazar's political opponents. It remained the largest prison in Goa until it was decommissioned in 2015. 

    Since then, the structure has been renovated by the Goa Tourism Development Corporation along with the Goa Heritage Action Group and opened for tourists as a Freedom Struggle Museum, a tribute to the heroic deeds and sacrifices of all those who took part in Goa's Liberation from Portuguese rule and the Indians who opposed British rule and were jailed there. It was inaugurated on December 19, 2021 by PM Narendra Modi.  The museum has two particular cells dedicated to liberation fighters T B Cunha and Ram Manohar Lohia, who were imprisoned under the Portuguese regime. 

    The site also contains some of the original 80 British-made cannons used by the Portuguese to defend the fort, and several monuments to Goa's anti-colonial struggle. The original statues are not in a good state, having been subject to extreme weather over the years, so reproductions have been made. These stand alongside the originals.

    I was particularly interested in an informative display about Goan writers. I now have another list of books to acquire 😀.
    Read more

  • A trip to Anjuna market

    January 7 in India ⋅ ☀️ 25 °C

    After a work day yesterday, today I was doing the tourist thing. Umesh, my taxi driver, picked me up at 8.30am and we headed to the weekly market at Anjuna Beach. We arrived at about ten past nine. Initially, it appeared to be closed, but after asking someone, Umesh realised we were in the wrong place 😊.

    When we found the market, Umesh dropped ne off and I went for a wander. I didn't have very high expectations as people in Mandrem had told me it was a tourist trap and full of imported tat. I was pleasantly surprised to find out they were wrong! Yes, there was a lot of rubbish specifically aimed at tourists, but there were also a lot of hand crafted items, especially textiles. I was in my element talking to the ladies  who hand stitch bed covers and bags. Their use  of colour was an inspiration. I was only sorry that I couldn't buy anything much - seeing as I'm travelling around for the next few months. I will definitely put it on my list if I do come back next winter! I did buy a hand-stitched purse that I didn't really need, and some beautiful sari fabric strips that I don't know what I'm going to do with yet 😀.

    I had breakfast in a market cafe overlooking Anjuna Beach and was sorry I couldn't stay for the local Bob Marley tribute act who was performing later! On my way to meet up with Umesh, I was blessed by a holy man who tied an orange cord around my wrist. I'm not in any way a believer, and I hate orange, but I'm a bit superstitious about taking it off 😀.
    Read more

  • Trip planning

    January 5 in India ⋅ ☀️ 26 °C

    I spent today at the beach - mainly planning my onward travels for after I leave here. I've finally given up on the textile tour of Gujarat. I've had to accept that it's not going to happen in February, although there's still a chance that it could run later in the year. So, instead, after Mumbai, I'll have a week in Udaipur, a few days in Jodhpur, and then travel on to Amritsar via Jaisalmer, Bikaner, and Bathinda.

    The food at the beach shack is still good, although I've no idea why my coffee was served in a half-pint beer tankard this morning 😂. For my meal today, I had a delicious Chicken Dopiaza with jeera rice.
    Read more

  • A working weekend

    January 4 in India ⋅ 🌙 27 °C

    I've spent the weekend at Maya working. I'm pleased with the progress I've made. I'm almost ready to launch a new digital product about how to monetise a stitching hobby. I hope it sells!

    Last night, there was another event here at the retreat. Again, it wasn't particularly well attended. I had finished stitching Neha's drawing, so I backed it and gifted it to her. I think she was pleased!Read more

  • A day at Mandrem Beach

    January 2 in India ⋅ ☀️ 24 °C

    Today was another relaxing day. When I arrived at the beach this morning, I noticed that the guy who looks after the car park was stitching. I went for a closer look. He doesn't speak much English, so I couldn't find out very much, other than the fact that he comes from Karnataka and he learned how to sew from his grandmother. His work was astonishing - so vibrant and colourful.

    I managed to get a photo and a short video of the guy who walks his cow on the beach every morning. I love this place 😊.
    Read more

  • Time flies!

    January 1 in India ⋅ ☀️ 28 °C

    I'm constantly surprised at how quickly the time is passing here. I can't believe I only have three weeks left until I leave for Mumbai.

    I have spent the past week mixing work days with beach days. I've achieved quite a lot with digital product creation and have relaxed in between, reading the local books I bought at the Museum of Goa and listening to the radio. I haven't ventured far. I've hardly taken any photos - unheard of for me! In the evenings, I've been working on stitching Neha's design. I'm pleased with the way it's coming on.

    On Saturday, it was Winter Wonderland here at Maya. The musician was very good. There was a drumming circle on Sunday, which I didn't attend. Last night, the family organised a private party to see in the New Year. I felt obliged to go, although I would rather have watched a film and had an early night! Mark and I never really did much for New Year 😊.

    So, now we're in to 2026, my first full year without Mark. I'm excited for what's coming up, but I'm sad that he isn't here to share it with me.
    Read more

  • Christmas Day

    December 25, 2025 in India ⋅ ☀️ 29 °C

    I decided to have another beach day. I posted on social media about how Mark and I had been on the salt flats in Bolivia this time last year (photo above), oblivious to what was facing us just around the corner. I got so many messages from friends all over the world in response. It really cheered me up on what was always going to be a difficult day.

    After spending all day at the beach (cheese and mushroom omelette for breakfast and tandoori chicken with chips and salad for dinner), listening to Radio 2 and reading my book, I walked back with my pineapple, blueberries, strawberries, and a mango cheesecake ready for a work/movie/nibbles day tomorrow 😂.

    Back at Maya, I had a long FaceTime call with Fiona and the girls. They were preparing Christmas dinner in the newly fitted kitchen. It all looked amazing! It almost felt like I was there with them 😊. Later, I watched Grease and got on with stitching Neha's design.
    Read more

  • Christmas Eve at the beach

    December 24, 2025 in India ⋅ ⛅ 24 °C

    I spent the day at the beach. I went a different way this morning and found a tourist street full of shops and restaurants. All of them had signs in Russian, and shopkeepers were surprised to discover that I was from the UK. I only have local shops near where I'm staying, so it was a novelty to find small supermarkets selling everything from tinned tuna to Cadbury's chocolate! Nothing was too overpriced, either, so I did treat myself to some cheese (Cheddar and feta) on the way home 😊.

    I also came across the rather fetching snowman! 😂

    On the beach, I stopped to watch the fishermen hauling in their nets by hand. It takes about 2 hours to get them in. I didn't wait to see what they'd caught!
    Read more

  • Work and socialising

    December 23, 2025 in India ⋅ ⛅ 24 °C

    I worked today. Then, this evening, there was a Christmas market at Maya. It replaced the usual Saturday night event, which was cancelled due to the election and businesses not being allowed to serve alcohol. Sadly, hardly anybody came. I spent the time chatting to Sheetal, Neha, and a few others. Neha has finished an artwork on some Japanese fabric I gave her. Now, my challenge is to stitch it using sashiko techniques. I'm looking forward to doing it, but really don't want to spoil her work.

    I made a start this evening.
    Read more

  • The rhythm of Goan life

    December 22, 2025 in India ⋅ ☀️ 32 °C

    I spent the weekend working in my accommodation. For once, I was happy with what I achieved 😊. Last night, I watched Love Actually, Mark's favourite film. We made a habit of watching it every Christmas, regardless of where we were in the world. I see no reason not to watch - even though I know every word of the script off by heart😂.

    Today, I had another beach day. I always see something new as I walk. This morning, it was a villa called Mark and a brightly coloured truck 😂. 

    At the beach, I spent a lot of time chatting to Jasmine. She is one of the ladies who sells clothes and jewellery to the tourists. She was horrified when I told her how much I'd paid for my stay at Maya. She and her husband manage a holiday apartment on behalf of the owner who lives in Delhi. If I come back next winter (and I'm seriously considering it!), I will stay there. It only costs USD200/month.

    I had egg-fried rice for lunch. I asked for 'medium spice', but it blew my head off! I won't do that again!
    Read more

  • A beach day

    December 19, 2025 in India ⋅ ☀️ 25 °C

    I didn't hang around for my 10am breakfast this morning as I wanted to walk to the beach before it got too hot. My foot is healed, thank goodness, so I was able to walk without pain. 

    I spent the whole day at the beach and had an omelette for breakfast and falafel for lunch. There was some commotion when a few Russian tourists realised they couldn't get alcohol from the beach shack today. There is a local election here tomorrow, so the sale of alcohol is banned for 48 hours. 

    Today was also Goan Independence Day to remember the day in 1961 when Goa finally gained its independence from Portugal. There didn't appear to be any events or celebrations. Umesh told me yesterday that they do mark the occasion in schools.

    A breeze got up on the beach this afternoon, so the lifeguard put the red flags out to advise people not to swim. As you might expect, his warnings fell on deaf ears!

    I picked up some bits on the way back to Maya as I'm planning a couple of work days. At the hotel, I chatted to Neha, who was working on some artwork for Monday's Christmas market. There is no Saturday event this week because of the election. I was raving to Neha about the Museum of Goa. She admitted that she's never been, despite the fact that it's less than an hour away. I think she might go now 😊.

    Christmas has arrived at Maya with a decorated tree out front in the shadow of a palm tree - lovely 😊.
    Read more

  • Back to Maya

    December 18, 2025 in India ⋅ ☀️ 32 °C

    The last work I want to highlight is Rooster by Subodh Kerkar. This 11-foot-tall rooster is made of fibreglass and covered in rubber tyres in the typical style of the Portuguese symbol, usually made in ceramic or wood, which is seen all over the streets of Goa. It comes from a Portuguese folktale, the Barcelos Rooster, about a pilgrim who was wrongly accused and sentenced to death. Before his execution, he said that a roasted rooster on the judge's dinner table would come back to life and crow three times if he were innocent. Just as he was about to die, the rooster crowed!

    Rooster is in the sculpture garden at the back of the museum. At first glance, you think the area is surrounded by some kind of flowering hedge, but on closer inspection, you realise that the whole thing is made of painted recycled plastic bottles, some cut into strips, and some left whole. The overall effect is stunning.

    I have visited many museums of contemporary art over the years in cities all over the world. Without doubt, the Museum of Goa is one of the best I have ever seen. What sets it apart is the fact that every exhibit is accompanied by a meaningful story. The tradition of Goan storytelling is perfectly portrayed here. It's fascinating, intriguing, and unforgettable.

    When I had finished my visit to the museum, I ventured into the on-site shop, where I bought several books about Goan life. I'm looking forward to reading them and filling in some of the many gaps in my knowledge.

    Umesh was waiting for me, and we drove back to Maya. He stopped on a busy road to let me take a photo of a huge statue of Christ. I need to get him to take me back to that area - I think there are other things to see.

    Once we arrived at Maya, I had my favourite omelette and an amazing fruit bowl, and then spent the evening editing photos.
    Read more

  • Textiles at the Museum of Goa

    December 18, 2025 in India ⋅ ☀️ 29 °C

    Mhammai Zatra by Savia Viegas is a mixed media piece on khadi, a hand-spun, hand-woven fabric promoted by Gandhi and symbolising India’s self-reliance and resistance to British colonial rule. It has handmade lace, embroidery, and cloth patchwork, and celebrates how food brings people together across Goa's many zatras or pilgrimage festivals, from temple fairs to church feasts. In these gatherings, stalls overflow with sweets and snacks like Kaddio Boddo, finger-sized, deep-fried sticks of dough tossed in melted jaggery infused with ginger and sprinkled with sesame seeds. These foods cross boundaries of religion and identity. They are also the souvenirs from the festival - what the goddess eats, the people eat, too.Read more

  • More from the Museum of Goa

    December 18, 2025 in India ⋅ ☀️ 29 °C

    Another eye-catching exhibit is Matoli, the canopy held above Lord Ganesha that is created during Chawath, the festival of Ganesh Chaturthi. The making of it is a deeply collaborative act rooted in community, ecology, and respect for the land. It's filled with seasonal fruits, grains, vegetables, and forest plants. Preparation begins just a few days before the festival so that everything remains fresh.

    The example in the museum is a collaborative work made with dried and preserved edible, non-edible, and medicinal plants. It is the largest and longest-lasting Matoli ever created in India.

    Fhatiyo by Chaitali Morajkar reflects on the everyday presence of flowers in women's lives - not as elements of beauty or romance, but as part of habit, care, and expression. Flowers are offerings at a shrine, hair adornments, or gifts exchanged between neighbours. They start conversations and remind us of the beauty that exists in the ordinary.
    Read more

  • Exhibits in the Museum of Goa

    December 18, 2025 in India ⋅ ☀️ 28 °C

    One of the most impressive pieces in the Museum of Goa is a 22-foot-tall model of Narakasur. In Goa, the making of Narakasur marks the coming of Divali. Groups of friends, families, and neighbours get together to build their versions. On the night before Divali, these towering figures take over the streets, their makers dancing and celebrating before setting them on fire. When the flames die out, Divali begins. Light wins over darkness, and a new cycle of hope dawns.

    For many Goan children, making a Narakasur is their first encounter with art. It is where they learn to sculpt, paint, and collaborate.

    Over time, Narakasur figures have evolved. Some now feature mechanical movements, pyrotechnics, and new creative forms. In North Goa, they often appear muscular, fierce, and monster-like, while in the south, they take on more human-looking, round-bellied forms. The Narakasur in the museum is a collaborative piece that brings these two perceptions together - combining the stance of the north with the body of the south.

    One of my favourite pieces in the museum is the Crochet Christmas Tree, an initiative by The Crochet Collective, Goa. Christmas and crochet arrived in Goa together, brought by the Portuguese. Over time, both have become part of Goan life. Christmas is a time for people to come together. In contrast, crochet has long been a solitary craft, done mainly by women working alone in silence and reflection. This project has brought 25 women together to plan, create, and support each other. Conversations began over colour and stitches, and slowly, a community formed. They shared stories, ideas, and laughter while creating something larger than any one of them could make alone.

    C S Kerkar (1924 - 2006), father of the founder of the Museum of Goa, was a renowned Goan artist, too. The majority of his works depict fishing and fish markets, which form a major part of Goa's cultural ethos. He once said that the state of Goa without fish is like the state of fish without water.

    The piece Pao by Pradeep Naik represents how important bread is to Goan life. Traditionally, Indians ate chapattis, flatbreads made with freshly kneaded yeastless dough. The Portuguese introduced the idea of bread made with yeast. Today, poders, bread sellers on bicycles, deliver freshly baked bread to every household in Goa twice a day. They announce their arrival with a distinctive horn sound. I'm getting used to that noise being what wakes me up each morning 😊.
    Read more

  • The Museum of Goa

    December 18, 2025 in India ⋅ ☀️ 28 °C

    I got up, showered, had black coffee and bananas for breakfast, and packed, ready for Umesh to pick me up at 10. He arrived a few minutes early, and we set off for the 30-minute drive to The Museum of Goa. Bizarrely, it is located in the middle of an industrial area. Umesh was as surprised as I was - he had never been there before.

    The Museum of Goa (MOG) is a museum of contemporary art. It was conceived in 2015 by Goan artist Dr. Subodh Kerkar, who transformed his existing studio into an art space with the expertise of renowned architect Dean D'Cruz. The lack of cultural spaces in Goa, particularly those dedicated to contemporary art, led Kerkar to envision an institution that would democratise art and make it accessible to a larger audience. 

    The first thing I did after entering the museum was to watch a film narrated by Dr. Kerkar. He explained his thinking behind setting up the space and described some of the pieces on display. He related a story his father told him when he was a child. He said that when you watch waves lapping on a beach, you see that most of them wet the sand that has already been wet by past waves. Then, every so often, a bigger wave hits the shore and wets some different sand. His message was that it is important that you wet new sand and also, that you witness new sand being wet. I love this sentiment!

    When I began to look around the museum, one of the first exhibits to catch my eye was Chillies by Subodh Kerkar himself. No other commodity imported to India has affected the lives of Indians as much as chillies have. Before the Portuguese brought chillies to Goa from South America sometime in the early 16th century, local cuisine was flavoured with pepper and other spices. Now, there is hardly an Indian dish that doesn't contain chillies.

    Here, the chilli sculptures are clad with Indian textiles to suggest the Indianisation of chillies. Today, India is the world's largest producer and consumer of chillies, with the average Indian eating 543 grams of dry chilli per year. India now produces around 2 million tonnes of chilli per year and even exports it to South America.

    Another striking piece by Subodh Kerkar is Goa's Ark, inspired by Goa's history. When the Portuguese colonised the area in the 16th century, they demolished Hindu temples and built churches to spread Christianity. In response, Hindus moved their religious icons in canoes to places like Ponda in South Goa, beyond Portuguese control. As a result, most temples are now located in and around Ponda.

    In the bible story of Noah's Ark, God saved mankind. In Goa, man saved God, inspiring the name Goa's Ark. Today, multiple religions coexist in harmony in Goa.
    Read more