Europe 2025

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Summer is a better place to get try and reset my mood and vibes. Let's try and rest this mood to something more positive. Baca lagi
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  • Mostar: Stone, Sweat and Speedos

    16 Jun, Bosnia dan Herzegovina ⋅ 🌙 24 °C

    With yesterday’s delay, I had to rethink my plans for Bosnia and Herzegovina. I was meant to arrive the day before, stay overnight, and then take a 5pm train to Sarajevo today. Looking at my options, I could try to find somewhere to store my bag, do a quick wander through town, and still take that original train. It would’ve been the cheapest option, but there were too many moving parts—and it was hot. So, I decided I needed a Plan B.

    I decided to stay in Mostar and booked a room at the hotel I was originally meant to stay at. Hopping in a taxi from the airport, I already felt like I’d made the right call. I was hot, tired, and starting to feel like I was pushing the boundary of what I could realistically manage today. At check-in, the staff were lovely—almost apologetic that I’d arrived late—and got me settled in my room quickly. I must’ve looked flushed; they gently suggested I take a rest before exploring.

    I took their advice—just wandered out to get some water and a snack before crashing under the air conditioning. With a big sigh, I knew I’d hit my wall. A nap was badly needed. I set an alarm for 45 minutes. Seemingly seconds later, it went off—nope, not ready. I reset it for another 45 and went straight back to sleep. Waking up from that much-needed double nap, I started thinking through the next part of Plan B: how to get to Sarajevo tomorrow.

    The trains were only at 6am or 5pm. The 5pm one would’ve meant missing my flight and buying a new one the next day. The 6am train sounded painfully early—especially coming from someone still half-asleep from a nap. Looking at other options, I decided on a 9am bus instead. It wouldn’t give me time to explore Sarajevo, but it was probably a better match for where my energy levels were at. I booked it and decided it was time to explore Mostar and see the famous bridge.

    Golly gosh gee wilikers, it’s hot out on the streets of Mostar. My hotel is right in the middle of the old town, where the stone-cobbled streets seem to trap the heat and radiate it back at me—cooking me from above and below. As if that wasn’t enough, the cobbles are polished smooth, making them super slippery too. I grab a bottle of water from the first vendor just a few metres from the hotel and finish it before I even reach the bridge a few minutes later.

    I still felt like I needed more refreshments, though I wasn’t sure if it was from the heat or the sight of the divers in their speedos wandering around Mostar’s famous old bridge. Both were pretty breathtaking—the bridge and the divers. The old town is Mostar’s claim to fame. I don’t even remember pinning it on my Google Maps, but I’m glad it showed up. The bridge (a reconstruction, since the original was destroyed in the war) spans a small gorge, crossing the fast-flowing, crystal-clear river below.

    I couldn’t get over how clear the water was—especially compared to the upside-down brown of the Yarra back home, where you'd probably need antibiotics if you swam in it. This river was stunning. The heat was so intense I was tempted to strip off and jump in—just to cool down. My fear of heights stopped me. Well, that and the thought of standing next to those divers. It would’ve been like an elephant next to a leopard—not something my confidence needed reminding of today.

    I explored the town, buying sorbet, Coca-Cola and water at regular intervals while snapping photos of the old streets. Minarets from the mosques poked above the rooflines—a nice change of scenery after all the cathedrals I’ve been photographing this trip. The old town is clearly geared toward tourists now, selling trinkets and souvenirs with more of a Turkish or Arabic flair. Think mosaic lamps, brass coffee pots, and rugs, alongside the usual magnets and postcards.

    Crossing the bridge again, I made my way down the small gorge to the river’s edge to feel the water. It was refreshingly cool, just as I expected, and I could see why the young guys were diving in to cool off—and show off. Apparently, if you pay them enough, they’ll dive from the old bridge itself instead of the lower platform that anyone can use. Judging by the number of topless guys with slings, bruises, and bandages, this isn’t exactly a low-risk hobby. It reminded me of the scenes in Bali or Thailand, with white guys showing off their motorcycle injuries.

    Heading back to the hotel, I stopped into a supermarket and overheard an Australian accent. It was a family, and the teenage boy suggested they stay in the supermarket all day because it was so cool inside. He had a point—the air conditioning was set to arctic levels. I took my time browsing for snacks and water to cool down before making my final trek across the slippery, heat-soaked cobblestones to the hotel for dinner.

    The hotel had offered me a complimentary dinner at check-in, though that seemed to get lost in translation—it turned into a 10% discount by the time I sat down to eat. The dollar and the Mark are close to parity, which makes conversions easy. I ordered the “meat plate for one” and was served enough meat to feed several. An older British guy started chatting to me while I ate. His “partner” (his quotation marks, not mine) is an American who lives in Germany and was off swimming somewhere. He told me how he stumbled across this town, how confusing GPS is here, and how expensive the data roaming is. But he likes it.

    His partner arrives and he informs her that she's been gone 4 hours, and he'll be drunk soon so she should hurry up. I like her. She shows no signs of hurrying up as she heads off for a shower and doesnt return in the time it takes me to eat this enourmus plate of meat. He orders a couple more beers while I eat and continues to think I'm getting around europe by bus - cause its cheap - despite me telling him numerous times I'm mostly flying. Eventually I give in and agree that I am travelling by bus as it seems easier.

    As the sun began to set behind the mountains—Croatia just beyond them—I went for one last stroll around the old town to see it in the soft evening light. I grabbed another lemon sorbet to cleanse the palate after all that heavy, greasy meat. Exhausted, I called it a night, letting the air con provide a much-needed breeze as I crashed out for my first—and only—night in Bosnia and Herzegovina.
    Baca lagi

  • Bergamo to Bosnia, Eventually

    16 Jun, Bosnia dan Herzegovina ⋅ ⛅ 32 °C

    Okay, so the whole point of coming to Bergamo was to connect to this direct flight down to Mostar in Bosnia. There aren’t many direct flights to Mostar and this little airline I’d never heard of, SkyAlps, seems to have the most routes going there. Also, it’s me — I love trying new airlines no one has heard of. With a bit of time to spare, I saved the taxi fare and took the airport bus out to Bergamo Airport (if we were flying Ryanair, we’d be calling it Milan).

    The airport’s a bit crowded and requires some backtracking — you enter, check in, then double back to reach security. But I find the Mostar check-in desk, staffed by a friendly-looking woman wearing standout yellow flower-framed glasses. I know my bag is a few kilos over the low 15kg allowance, so I figure a charm offensive might help. It doesn’t. I pay €33 for my bag to come with me.

    Through security and up into the maze of shops, I grab some lunch and eat it before clearing immigration. They even let my Aussie passport use the automatic passport control gates, which is a win for speed — while the Brits behind me get sent to the manual lane. Italy hasn’t forgotten Brexit.

    As if the airline saw me clear passport control, I get a text saying my flight is delayed an hour. Not ideal, as there’s less to do post-immigration, but I’ll survive. An hour later, another text comes — another delay. Avgeek mode kicks in and I start tracking my plane. Or rather, the lack of one.

    I’m expecting a Dash 8, which SkyAlps usually operates, but instead I find an E190 currently in Mostar, scheduled to operate my flight. It’s a Marathon Airways E190 flying on behalf of SkyAlps. These ACMI leases (Aircraft, Crew, Maintenance and Insurance) are common in Europe — Air Baltic is a big player in this space. This plane’s been sitting in Mostar since yesterday, so I’m guessing something’s wrong with it or the crew, making it late getting to me.

    Another hour passes. Another delay text. While I’d rather be on my way to Mostar — I’ve only got one night there — I’m also getting excited about the €250 I could be entitled to if we’re delayed more than three hours. If I’m going to be late, I may as well get something out of it. For those unfamiliar, EU261 outlines what airlines owe passengers in the event of delays or cancellations. For my short flight, a delay of three hours or more means €250 in my pocket.

    Mentally, I’m already spending the money when I get the email:

    “We wish to inform you that your SkyAlps flight BQ1989, originally scheduled for today, 15.06.2025, has been rescheduled for tomorrow...”

    Well, I wanted the compensation, but not at the expense of stuffing up my itinerary. Oh well. The email says airline staff will help arrange accommodation and transport. The catch? Finding them.

    There’s some chatter at the gate, mostly in Italian, so I don’t really know what’s going on. I chat to an American couple and their daughter — they haven’t seen the email yet, so I break the news.

    An announcement tells us to head to check-in desk 4. Easier said than done, as we’ve already cleared immigration. Me and the couple go back to the border officer, I explain our flight was cancelled, and he literally crosses out our stamps and waves us through.

    I stop at lost and found to ask about my bag. They say to go to belt 4. I head there — no bags. I wait. Then another announcement comes: go to ticket counter 4. I track my bag using my AirTag and see it’s back in the check-in hall. Presuming the airline already has it, I follow the instructions and exit without it — a mistake I’ll be scolded for later by the same lost and found lady.

    At ticket counter 4, they say a shuttle is being arranged once hotel bookings are confirmed. I ask about my bag. “Oh, go to lost and found, they have it,” I’m told. My AirTag still shows it in the check-in hall, but I try lost and found again — this time landside.

    I arrive to find it closed. I buzz anyway. The same staff member answers — now properly irritated. “I told you to wait! Now you can’t go back. We have no people to get the bag. You must wait now,” she says, snatching my boarding pass and pulling down the shutter. Making friends in Italy.

    I wait as a few others show up also asking about bags. She yells at her colleague to make us wait, which feels awkward since the other people here aren’t even from our flight. Turns out only six of us checked bags for this flight. Eventually, someone walks the few steps needed to get them — my AirTag shows mine approaching right as they appear.

    Bags finally in hand, the American family and I head to the information desk, joined now by an older Italian couple who find the whole thing hilarious, and a younger woman who looks frazzled but is trying to herd us into some kind of order.

    The shuttle transport the airport arranged — for around 20 people — has 7 seats. That was never going to work. Every five minutes we’re told another shuttle is only a few minutes away. Eventually it shows. The last seven of us board and get driven to our mystery hotel for the night: Bergamo West. Out near a paddock and a sports centre, with nothing around.

    Check-in is slow. Everyone’s asking the same questions, ignoring the receptionist’s repeated answers. It’s now about 9pm and we haven’t eaten. The hotel doesn’t have a restaurant at night, so they offer to order everyone a pizza.

    “One pizza per person and one drink,” the receptionist repeats over and over.

    “But what pizza do you have?” someone asks.

    “Wait, I ask him in Italian,” says the older Italian man, who proceeds to translate the exact answer we were just given. This is becoming a comedy sketch. A photo of the menu is passed around. I order a ham and pineapple — it was first on the list, and I figured it might dispel the “no pineapple in Italy” myth.

    It takes 90 minutes for the pizzas to arrive. I take mine back to my room, eat it, and call it a night. What a day to get absolutely nowhere.

    With no updates overnight about when we’ll be picked up again, I set an alarm for 7am, grab breakfast, and wait. The new flight is at 11am, so I figure we’ll need to leave by 8:30 to re-check bags, clear security, and immigration. Around then, I head to the lobby and count 15 of us waiting. The receptionist knows nothing. The airline won’t answer calls. We just wait.

    Around 8:45, the American family orders a taxi. I consider doing the same, but at 9:00, a shuttle finally arrives. I cancel the taxi and jump in. The seven seats fill fast, leaving half the group behind.

    Arriving at the airport, it seems they forgot to assign a check-in desk for us. I ask at information. First, they say the flight left yesterday (um, no). Then, after a few calls, someone opens a check-in desk just for me. The others are still waiting in the hall, unclear on what to do, so I direct them to the desk. I drop off my bag and head to security.

    By the time I’m through security and immigration and at the gate, it’s departure time. A slight delay to the delayed flight means I still make the first bus to the aircraft. In the end, 11 of us make the new flight. Where the others ended up, who knows.

    Finally onboard, and the plane is now an E175—operated for Aeroitalia, by Marathon Airways, on behalf of SkyAlps. Talk about convoluted. To make things even funnier, the cabin crew seem to represent all three airlines. The hectic woman from yesterday, who was trying to herd us at the airport, is now in full uniform, working the flight—though it’s unclear whether she’s Marathon or Aeroitalia. With so few people on board, we’re told to sit anywhere between rows 5 and 14 for weight and balance before departure.

    As we taxi to the runway, one of the older Italian women suddenly thinks she left her passport on the bus and asks if the plane can turn around to get it. Despite four crew members calmly insisting it’s probably on board, they still end up calling the cockpit to check if we can return. At this point, I’m convinced I’ve ended up in a hidden camera comedy sketch. I’ve never seen anything like it. Thankfully, just as the call is made, the passport turns up—sitting in the seat pocket. Crisis averted. We take off for Mostar.

    After all the drama getting here, the flight itself is uneventful. I’m given free snacks—sweet or salty—and a Coca-Cola, and watch the scenery drift by. We descend over Croatia and land in Mostar, stepping out onto the tarmac like a private charter, just 11 of us. Next to us sits the aircraft that was supposed to fly yesterday, still parked with nowhere to go. Maybe some of the spare crew on our flight will switch over and finally get it moving. Immigration is quick, and before long I’m finally in country number 55. Welcome to Bosnia and Herzegovina.
    Baca lagi

  • Bergamo: The Not-So-Fun(icular) Way Up

    15 Jun, Itali ⋅ ⛅ 31 °C

    Google Maps was a bit of a bitch to me today. Starting the day a little late as I needed some rest this morning, I entered the details of the funicular to the upper old town and blindly followed Google’s directions. It’s a very hot day in Bergamo today—aiming for around 35 degrees and quite humid—yet I’m keen to visit the UNESCO-listed upper town of the old city. Built, unsurprisingly, as all good fortress cities of yesteryear were, on the hill overlooking the city and surrounded by impressive Venetian walls, it’s the tourist highlight of Bergamo. A funicular takes visitors up the hill and through the wall—a welcome reduction in stairs to climb.

    That is of course, unless Google directs you to the upper station and you don’t notice, since geographically on the map they look like the same spot—just vertically different. I didn’t realise until I was already well on my way uphill, navigating the quiet Sunday morning backstreets of Bergamo. Most places are still closed today—it is Sunday after all—except for the many barber shops I pass, which are doing a roaring trade clippering guys’ hair. Realising I was already halfway up, I pressed on, entering through the upper gate with an impressive view over the newer city below.

    Sweaty and thirsty, I arrive by foot at the upper funicular station and watch a group of very fresh-looking tourists get off—not a drop of sweat in sight from their uphill climb. Thanks, Google. I make a beeline into the first café I spot, demolishing a slice of vegetarian pizza and a Coca-Cola. I needed that energy boost. Had I taken a moment to ponder, even briefly, I might have noticed the street full of other eating options—many looking a little fancier than the café my hangry eyes locked onto. Oh well, it was cheap and delicious anyway.

    I imagine that I have one of those energy bars like characters in The Sims hovering above my head, and I see it rising to nearly full again after lunch. In a weird insight into my anxiety, I also imagine those bars above friends too—but in this version, they recharge based on whether my interactions with them are good or bad, like a friendship-o-meter. Imaginary bars aside, I take a leisurely wander around the UNESCO old town.

    Like any old town built with old money, it’s got the standard fare. A central square dominated by important old government buildings or banks, with an oversized cathedral or two not far away keeping an eye on affairs. Streets that get narrower as they branch off each other, filled with stores now selling a mix of curiosities, gelato and sweet treats, with tiny bars and cafés that open up into larger spaces behind stone facades dotted here and there. I love a wander through an old town, even if I spend far too much time taking photos of the narrowness like I’ve never seen a laneway before.

    I escape the heat with a little religious side quest into the cathedral. There seem to be two beside each other opposite the main square. I don’t know which is the “right” one to go into, but one has an angry man shooing people away from the entry, while the other doesn’t. My choice made for me, I follow the scent of incense wafting from inside and take a seat to reflect. By chance, my seat is next to a confessional box—or as the sign above labels it, *Penitenziere*. While obviously this is the place to go and do your penance, I can’t help but think of “penitentiary” when I see the Italian spelling. I guess they’re similar—both are punishments, one from God and one from the state.

    I remember my school days at a Catholic school, having to think up something to be sorry for each time we visited the church for confession. Often I’d get a few Hail Marys for not having a properly thought-out sin—it’s like they wanted you to sin properly, not just because you were dragged there and forced. Joke’s on them now though—never once did I confess for my thoughts about the footy boys in their singlets and short shorts. Nor will I now, as I sin in church looking at the well-dressed Italian lads.

    Religious interlude complete—can you really visit Italy without a little bit of God?—I did a slow lap of the old town while enjoying a few scoops of pineapple, ginger and lemon sorbet. Sorbet goes down really well in this heat. My short stopover in Bergamo running low on time, I decide to take the funicular down the hill, to at least allow me a ride on it. Google takes me on a much more direct route back to my hotel through the wider main streets, avoiding the winding maze of the lower old town. While my flight routes took me to Bergamo, I’m glad I got to explore its upper old town during this short little intra-European stopover—although, as I’ll soon find out, this stopover isn’t going to be as short as I originally planned.
    Baca lagi

  • Funiculars Are Real, God’s Timing Isn’t

    14 Jun, Sepanyol ⋅ ⛅ 29 °C

    It was time to get out of Barcelona and explore something other than art galleries and old buildings—well, okay, there were still going to be some old buildings, just maybe a tad less art. We’d decided to head out to Montserrat, about an hour by train from Plaça d’Espanya. I’d done some research on ways to get there: guided coach tours with winery stops on the way back, guides that accompany you on the train, or the DIY option. Not wanting to be stuck to a group schedule—and not wanting to pay through the nose for a private guide—we went with DIY.

    A metro ride got us to Plaça d’Espanya, only to find we’d missed the regional train by about half an hour. We bought tickets from the vending machine and escaped the heat of the metro system for the heat above ground. Last time I was here the fountains were in full flow, but due to the drought, they’re now dry and turned off. A dry fountain certainly takes some of the magic out of it.

    I made Peta take the escalators instead of the stairs as I tried to conserve some energy on my first planned no-nap day in quite a while—spoiler alert: I ended up napping on the train back later in the day. The climb to the top and back filled the time perfectly, and we returned just in time to catch the R5 train toward Montserrat—or at least most of the way. We’d bought a combo ticket that included the regional train to the base of the mountain, plus the cable car and rack railway up to the top. Or so we thought—more on that later.

    The first part of the ride is underground and pretty forgettable, so I spent it catching up on blog posts. As we got closer to the mountains, we emerged above ground, with hills and rocky peaks coming into view.

    We decided to take the cable car up first since it was the quicker way. Also: I’m terrified of cable cars, so figured ripping off the bandaid early might help with the anxiety. We boarded the little yellow cabin and began the haul up the mountain. Peta took a spot by the window. I stood in the middle, gripping the central pole for dear life, occasionally looking up to take in the view before quickly shifting my gaze back to the metal floor. Every time we passed a tower and the car rocked gently, I tightened my white-knuckle grip. I kept thinking, if the cable snaps and we fall, this pole sure isn’t going to save me—but hey, it felt reassuring.

    Back on solid ground, Peta pointed out that the car’s max capacity of 30 people assumes each passenger weighs about 70kg—an optimistic assumption these days. Luckily, there were only about 20 of us inside. Now officially on the mountain, we paused to figure out what to do next. I hadn’t researched the sights in much detail. I knew we should take in the views, maybe ride the funicular, and definitely see the famous Black Madonna.

    We stopped for a snack first, which turned into an early lunch while we waited in line for food. With some calories in the tank, we walked over to the entrance to the Black Madonna. But all the time slots were already gone for the day. Bit of a miss on my part for not booking in advance.

    Plan B: church. We bought entry tickets and joined the unmoving queue at the front. “Sorry, the mass is running late. Come back at 12:30 or anything later is okay.” They’ve been running mass here for centuries and still can’t get the timing right. Classic.

    We decided to head up the mountain instead and take the funicular—basically just because we could. I love funiculars. They’re a cool form of transport and completely missing from Australia. Peta and I agreed there’s nowhere in any of our cities steep enough, or with enough people willing to climb, to make one viable.

    At the top, we started a short 10-minute hike to St. Joan’s Chapel. There was a nice breeze, but the sun was still brutal. The views, though—spectacular. The stone peaks of the mountains aren’t jagged but rounded, almost smoothed out by millennia of wind and rain. It gives the landscape a unique, otherworldly feel.

    At the chapel, Peta wandered up to read a plaque while I stood in the shade. It’s a solitary little spot—peaceful, good for prayer I suppose. But honestly, after the hike to get up there, you’d want something important to pray about. On the way back, we spotted a rock climber scaling one of the rounded stone formations above us. We took a few selfies and then rode the funicular back down, this time on the opposite side of the mountain for a new view.

    The ride down gave us an amazing look at the monastery—at least when we weren’t being jostled by a pushy family eager to get off. I just barely resisted the urge to trip their annoying kid. Back at church, we found another queue had formed. This time, apparently, the president of something-or-other had decided to stop by for a quick pray. That explained the sudden police presence—including some hot Spanish officers. Arrest me, sir.

    With our legs not keen on doing much more in the heat, we parked ourselves under a shady tree with cold drinks—well, a lemon slushy in my case—and waited for the president to finish his divine appointment.

    Eventually, we got inside the church. And… meh. It didn’t really wow me. A bit too dark and moody. I wanted more bling for the effort it took to get there. I zoomed in on the Black Madonna statue from below—close enough. The statue has a black face and a white body, which left me wondering if this would be considered controversial in 2025. Wasn’t blackface cancelled?

    We popped into the candle room for a final stop. The wave of heat from all the candles hit us immediately. That marked the end of our religious experience for the day. With a tight timeline to get me back to Barcelona in time for my evening flight, we made our way to the rack railway platform.

    We walked over to the rack railway platform, only to be told bluntly by a staff member that our combo ticket didn’t actually include it—despite what our ticket had to say. Our protests were shut down fast with a very sharp “That escalated quickly” tone. Fine. We gave up and walked back to the cable car, which thankfully did accept our ticket. I wasn’t exactly thrilled to be getting back in that wobbly yellow box again, but gravity would help us this time.

    The ride down felt way faster than the trip up. Maybe it was gravity, or maybe I was just eager to be done. I clung to the same pole and avoided looking out the window. A few minutes later we were back on solid ground and transferring to the train home.

    Maybe I should’ve planned it all a bit better, but even with the missed reservations and ticket confusion, I really enjoyed visiting Montserrat. The views from the mountain, the monastery perched in the cliffs, and the rocky landscape made it worth the effort. As a train geek, I would’ve liked to ride the rack railway, but the funicular scratched that itch nicely.

    I dozed off on the way back to the city and woke just before Barcelona. Peta and I said our goodbyes on the metro—she went shopping, and I headed to grab my bag and make my way to the airport.

    I’m glad I gave Barcelona another go on this trip. I’m still Team Madrid, but I connected with the city more this time around. Next time, I’ll make the gay pilgrimage down to Sitges. Anyone up for that? But for now—farewell, Barcelona.
    Baca lagi

  • MOCO, Paradox and the Art of Travel

    13 Jun, Sepanyol ⋅ ⛅ 26 °C

    With a clean suitcase ready to go tomorrow, I met up with Peta again this evening to, you guessed it, check out some more galleries. I love how everything is open late here — it allows for some downtime without the FOMO feeling of needing to get everything done by 5 p.m. Even though the first gallery was walkable, I took the metro to save a couple of minutes and avoid the heat. While the heat shouldn't bother me as an Australian, it did today. The humidity was high, I was sweating, and just feeling tired. Peta prescribed a sorbet for the heat — good suggestion. Lemon sorbet is so refreshing. The coolness and the sugar hit — what's not to love?

    I arrived a little early so wandered through some nearby shops. I seemed to be in the pottery district, with several cute stores selling expensive clay goods. Later in the day we passed some mini pottery studios, where you could watch the artist at work while browsing their store. One guy was making some pinch pot mugs that I saw on sale for €35 — quite the price for a single mug. I even spotted a “dickramics” piece going for €75. Maybe I should start making those and selling them to the European market.

    Inside MOCO — which I thought stood for Museum of Contemporary Art, though the acronym doesn’t really work — it was all very modern. Think bright colours, political statements, optical illusions with mirrors, and immersive digital displays. They even had a section on NFTs, which I still don’t understand. Is it owning art but only in a digital form, or is it more about owning the concept of the art?

    The more modern gallery drew a younger crowd, so I didn’t feel out of place taking selfies and videos — unlike at the Picasso Museum yesterday where I felt a bit self-conscious. Some of the works surprised me, like a series by Robbie Williams — I didn’t even know he made art. They were colourful, political, and oddly relatable. I even bought something from his collection in the gift shop. There was also a piece by Yayoi Kusama, though unusually in black and white. It took me back to the much more colourful, polka-dot-filled Kusama exhibition I saw in Melbourne earlier this year — full of joy and colour, so this one felt a little out of character.

    Navigating between rooms required stepping outside briefly, which made me appreciate just how blissfully well air-conditioned the gallery was — a smart way to spend a hot afternoon. Souvenirs bought (without spending enough to get my €5 off), we wandered to our next stop, admiring the architecture of some buildings along the way. It was still hot, so we took a quick breather in a very well air-conditioned art store, sitting and looking at art once again — with no intention of buying a piece. The shopkeeper really should have set up their workspace at the back of the store where the A/C was strongest.

    To round out the gallery visits, we headed to the Paradox Museum. The online photos made it look fun and interactive, so I figured why not. We timed our arrival well and basically had the place to ourselves for most of the visit. It was a very hands-on and selfie-encouraging museum dedicated to illusions that mess with your mind. Think optical illusions or sensory tricks — starting off with a nausea-inducing walk through a spinning hall that made me feel like I was drunk… complete with the urge to spew afterwards.

    It reminded me of Scienceworks or Questacon back in Australia — learning how things work by experiencing the illusion or controlling it. We took on zero gravity, cloned ourselves and challenged the clones to a card game, flew through a portal, and blended into the background. I’m a big kid at heart, so it was fun — though by the end, we’d had enough and skipped a few selfie ops.

    Galleried out for the evening, we stopped by a burger joint on the way home for some dinner. I struggled to decide between a burger or chicken and waffles — a meal I’m still mourning after my favourite café in Thornbury that used to serve it shut down six years ago. I’m not over it yet, and I decided against trying the Barcelona version since I knew I’d be too judgy. Skipping drinks tonight, we wandered back to the hotel via the Arc de Triomf — Barcelona edition — then called it an early night.
    Baca lagi

  • Laundry, British Lads & Naps

    13 Jun, Sepanyol ⋅ ☁️ 26 °C

    Laundry day is one of those things you can never escape as an adult. On the road—or in the air—for a few weeks and eventually you’re going to run out of clean stuff. So this morning was a quiet one. I started my wash cycle at a local laundromat, then set up shop in the café across the street for a fresh breakfast: smoothie, toastie, and a croissant for later.

    Laundry day is also kind of forced downtime, which I appreciated today. A week into the trip, it was time to stop, sit, and not worry about sightseeing for a while. I’ve actually done laundromat visits as a mindfulness exercise before—they’re usually quiet places, with the constant drone of the dryer and the rhythmic thud-thud-thud of the washing machine doing its thing. A surprisingly calming background track.

    I wrote some blog posts while the laundry did its thing. At €13 for a wash and dry, it’s one of the more expensive loads I’ve ever done—but detergent was auto-included, and my clothes came out smelling great. Laundry done, breakfast eaten, and blogs written, it was time for a late-morning nap.

    Passing the time, I chat with a few local guys on Grindr - when in Rome ;) It’s funny how, when we talk to strangers in a foreign language, we end up kind of bastardising English to make it easier to understand. And yet, the Spaniards still talk at a million miles a second. Very few local suggestions obtained, I nap instead.

    Feeling refreshed—but still a little tired—post nap, I decided to check out the hotel’s rooftop pool. I thought about sitting in or beside the water and relaxing before meeting Peta later tonight for some sightseeing.

    Arriving at the rooftop, I found it packed like a club: topless British guys showing off their whitest of white bodies, a few bikini-clad women clearly having their pick of the crowd. The idea of relaxing beside a bunch of drunk straight British lads on their Spanish holiday wasn’t exactly my vibe—even if some of the eye candy was, well, awright.

    Not to be that guy — the “I’m not a tourist, you are” type — but I can’t help wondering if it’s these packs of drunk British lads who’ve made Barcelona’s locals so anti-tourist. I get that Airbnb is pushing up rents and pricing locals out, which is a huge part of the frustration, and yeah, they’re over the rowdy drinking crowds. But are quiet, gallery-wandering, in-bed-by-9pm tourists really the problem? My TikTok reel even got a few “GO HOME” comments, and there’s a protest planned this Sunday where locals will drench tourists with water pistols — alright, that last one honestly sounds kind of refreshing.

    So instead of joining the pasty white (and okay, some ripped) British lads, I retreated to the slightly warm room and had another nap. Recharging the batteries before heading out again for more art tonight.
    Baca lagi

  • Held Hostage by Flamenco? Blink Twice

    12 Jun, Sepanyol ⋅ 🌙 24 °C

    So far in Barcelona I’ve explored design, paintings, pottery, and architectural art. So to round out the art theme for today, it made sense to check out some performance art. Peta had a recommendation for the oldest flamenco show in the city. Once her conference wrapped up for the day, we met up and took the metro into the Gothic Quarter to see a show.

    I’m used to travelling solo, so it was refreshing to have company for tonight’s exploring. Having someone to chat to, wander the streets with, and share the evening with has been a bit of a novelty for me lately—a nice one tonight.

    We arrived early, as our confirmation advised, to “ensure you get the best seats,” only to find we were the first ones there—and a bit too early. Turns out the earlier show was still going. We learned the show ran for 40 minutes and were told to come back in 15. After a quick walk around the block, a bit of window shopping, and some chatting, we returned and joined another dozen or so guests—hardly the sell-out the tickets had warned about.

    Peta and I were both keen to see the show and relieved it was only 40 minutes—neither of us were up for something long. Inside, we had our pick of the seats and chose the second row: close, but not too close. Drink in hand, we watched as the performers took to the stage. The cast included two dancers, a singer, a guitarist, and a drummer who seemed to be grumbling about his drum box not working. Oh well—no time to fix that. The show must go on.

    The chemistry-lacking couple started the show with a number where the woman’s eyes just screamed, “help me.” Maybe understanding the lyrics would’ve helped, but her face—especially her eyes—looked completely dead inside. I’m half-convinced she’s being held hostage, forced to perform for gringo tourists night after night. Her dancing was impressive, though, even if it seemed fuelled by rage.

    The duet became a solo when she took a break, leaving the male dancer to perform alone. With his long hair, Peta hoped for some dramatic hair flipping. He delivered a few, and I noticed he had far better chemistry with the guitarist than he ever had with the female dancer. He danced better than I ever could, but his main move seemed to be making loud foot noises.

    The female dancer returned for her solo. I was a bit disappointed by her black dress—something more colourful might’ve lifted the mood—but I guess it matched her dead-inside vibe. Her feet moved at the speed of sound. The tapping more than made up for the missing drum—honestly, the drummer could’ve gone home.

    Everyone but the guitarist took a break, so we got a solo from him. Of all the cast, he was the most attractive, so that was a plus—even if his performance could’ve been a third shorter. It went on for a bit before the rest of the cast returned for a final number. There was more duet dancing, hair spinning, dresses swirling—and by the end, even a few smiles.

    With the performance over, I couldn’t help but wonder—while they may be the oldest-running show in Barcelona, they might not be the best. I still have doubts about whether the cast are actually captives, and I feel for them playing to an audience at maybe 15% capacity. We stepped out into the square and agreed it was worth the ticket, if only to say we’d seen flamenco dancing.

    Making a night of it, we headed to a cute little tapas bar I’d found online. Tucked in a tiny alley (as everything seems to be in this part of Barcelona), we grabbed a table inside a stone-walled, cave-like restaurant. We ordered most of the meat dishes, plus some feta-stuffed peppers for balance, and enjoyed a wine and a beer over several courses. The food was some kind of fusion—tapas meets Asia, maybe? Whatever it was, it was delicious. Expensive, but delish!

    Full after a massive meal, we decided to walk it off on the way back to the hotel. We passed a park, got drawn in by something gold atop a statue, found a little lake, and posed with a giant elephant. An unexpected find, but a lovely way to end my art-inspired day in Barcelona.
    Baca lagi

  • Barcelona Bling: Gaudí’s Grand Designs

    12 Jun, Sepanyol ⋅ ☀️ 27 °C

    On my last visit to Barcelona, I did a city walking tour that focused on the architectural works of Gaudí. Think buildings with extra stuff stuck to them, weird shapes, maybe even something from an alien planet—and then there’s the still unfinished Sagrada Família. It’s a unique style of architecture that won him awards and a decent list of rich families lining up to have him design their casa. Once you’ve seen his work, you kinda get his vibe, and it’s definitely something very distinct. I guess in the late 19th and early 20th centuries you really went all out to show the world you were wealthy—on the actual facade of your home. These days, I guess to be this pretentious you buy a social media platform?

    Skipping forward a few years, on this visit I decided to check out the failed attempt at urbanisation—Park Güell. I take the metro to get there, arriving at Alfonso X station well ahead of time. It’s an uphill walk from here, but I decide to top up my energy levels with a bite to eat at a local café en route. I arrive at this cute little place, which has just the owner and two older customers who look like they have their regular seats. I order a hot chicken and salad roll and a cold can of Coke, and grab one of the many empty seats by the window.

    An audible “Hummph 😤” comes from the elderly lady at the corner table across the aisle as I sit down. She stands, seemingly scolding me with her glare, carefully folds her newspaper, moves one table further away, then unfolds her paper again and resumes reading. Perhaps this is the chairperson of Barcelona’s current anti-tourism campaign. Look at me, making friends already.

    I have no regrets about my café choice—the roll is delish and hits the hunger spot perfectly. Energy levels rising, I start the walk up the hill toward the park entrance for my timed ticket entry. I get slightly distracted watching a local carrying a large pole and wander off track—enough to go further downhill only to have to climb again. That’ll teach my wandering eyes.

    After a decent stair climb, I arrive at the park and pay an arm and a leg for a frozen lemon slushy to refresh myself before heading in. I’ve decided against a guided tour and plan to explore only the more interesting areas—the spots with all the main Gaudí stuff. Visiting in the middle of a June day? Not advisable. It’s bloody hot, and the glare makes taking photos a challenge. If you’re going to look at wild architecture, you’ll want decent photos of it.

    Let’s call the main area a plaza, with coloured mosaic benches lining the edge providing a place to sit and take in the view below. Like many plazas, the golden sand-like surface bakes in the hot sun, with a seaside vibe provided by both the actual palm trees, and the carvings of palm-like trees—or people—into the surrounding rock walls. Like, I get that this is art and not only takes one hell of a mind to think of, but even more skilled craftsmen to build—but I find it all just a tad pretentious.

    I discover the plaza is held up by a series of Romanesque columns, creating a cavern-like space underneath. Maybe it’s the cool shade, but I prefer it down here. The roof, of course, is also curved and includes colourful mosaic elements. Down the elaborate staircase—complete with a giant mosaic lizard—lie the park’s gatehouses (that’s what I’m calling them). These look like something out of a Disney animated movie set in some faraway cartoon land. Over the top, yet also creatively impressive. One is now a gift shop. I refuse to queue for a gift shop, so I take my photos and wonder what the other building is and whether it needs exploring. Turns out it’s a primary school—definitely not for exploring.

    Gaudí’d out, I head back to the hotel, discovering a bus to the metro that would’ve been much more useful for the uphill climb than my downhill return. I know Barcelona is Gaudí land, and I’m not saying I don’t like his work—I just find the grandness, the strange opulence, and the massive display of wealth (and maybe ego) of those who commissioned it a bit hard to get behind. Still, it’s left a lasting impression on Barcelona’s streetscapes, and eventually, the Sagrada Família will be finished—marking the end of a long era of Gaudí’s construction in this city.
    Baca lagi

  • Burn: Sorry Picasso, Pottery Ain’t It

    12 Jun, Sepanyol ⋅ ☀️ 26 °C

    Breakfast done at the hotel, it was time to get out and explore a little more of Barcelona. Last time I was here I didn’t rate the city much — although, to be fair, I didn’t go much further than La Rambla and its heavy tourist feel. While the Gothic Quarter, where the Picasso Museum sits, is still ground zero for tourism, I was picking up a different vibe this time around.

    Maybe it was the bombers (firefighters) arriving at a building fire along my Google Maps route, adding a bit of local authenticity to the walk. Or the smoke-filled lanes that gave the place a creepy, yet oddly cool vibe. Or maybe it was just that it was 9am and dead quiet as I took a slow stroll to see more Picasso. Whatever it was, the place felt less crass than last time.

    For a non-art-knower, this is my second Picasso-themed museum visit this trip. The works were donated to the city after Picasso lived here for a while. Despite the Franco period in Spanish history leading Picasso to cancel the grand opening party, the museum lives on today.

    Even without knowing my art styles, I could see the character development as the museum progressed. His early works seemed to be him learning by copying famous pieces of the time and adding his own flair. Then he started doing more of his own thing — nude ladies seemed to be in fashion. And then, why not take a colour and make it yours? For Picasso, apparently, it was blue.

    Up until this point, it all just seemed like regular art to me — which I guess is fair for an art gallery. Then it shifted into more of what I expect from Picasso: abstract, weird stuff that leaves a lot for the viewer to interpret… or just prompts you to read the paragraph beneath it.

    The palace housing the art is impressive in itself. I often find galleries end up in either repurposed historic buildings or modern, stylistic, purpose-built spaces. Honestly, I usually go more for the building than the art. This one was a pleasant mix of both. Beyond the grand stone entrances, the most palace-like part of the museum was a mirrored room, complete with chandelier. Bring on a Bridgerton scene in here.

    Then I walked into the pottery gallery. Yep — Picasso dabbled in pottery too. Who knew? As someone with two beginner terms of hand-building under my belt, I can confidently say Picasso’s pottery is… rubbish. He should have stuck to the brush and left the potter’s wheel to those with actual talent. Not all skills are transferable.

    Artistic influence complete, I left the museum with plans to check out the chocolate museum next. It’s just around the corner, but as I wander past, I’m not getting a great vibe from the place. I also don’t really feel like eating chocolate — not a great sign when you’re about to visit a chocolate-heavy attraction. I decide to listen to my body, which is calling for some downtime, and head back to the hotel for a nap… still thinking I could be a better potter than Picasso.
    Baca lagi

  • Checking out D in Barcelona

    11 Jun, Sepanyol ⋅ ⛅ 29 °C

    Arriving in Barcelona and settling into the hotel, I had an evening to explore before meeting up with Peta. But first—I needed to remember to eat. Some people travel just to eat; I have to make conscious efforts to stop and eat at regular intervals. I opted for a super traditional Spanish dish of pho from a little corner restaurant behind the hotel. An interesting take on the noodles, which were more fettuccine than the standard pho noodles I’m used to. The fresh chilli gave me a refreshing boost of energy to tackle an early evening of exploration.

    At this point in the trip, I feel I’m giving off art tourist vibes—galleries have been the theme so far. Continuing on that, I decide on the DHub museum. No, not that kind of D (sadly, as there appear to be some fine specimens around here), but a design museum. Walking up to the museum, I pass what appears to be a scrap metal deposit depot. A steady stream of men pushing supermarket trolleys overloaded with wire, refrigerator parts, and other random metals enter the warehouse to deposit their hauls—where are they getting this from?

    I ponder the source of the scrap metal as I walk the remaining 10 minutes to the museum. It’s open for another hour, so I buy a ticket and start on the ground floor. The museum is dedicated to the history of design from the 1980s to today. Like art, I don’t understand design principles, fashion, or style—but the gallery did well to provide a narrative of how things have changed, both in terms of aesthetics and sustainability.

    The first gallery would have made my friend Bec drool with excitement over the extensive collection of chairs from the decades. It wasn’t all chairs—a lot of other random stuff here too, all well presented and comparing the story of design for style or practicality. A few photos taken of chairs for Bec, I head upstairs to learn about graphic design changes over the decades.

    This gallery features selected posters, magazines, and other graphic pieces from over the years. Beyond the bright colours and retro designs, I was drawn to a timeline on the back wall. It mapped world events (think Iraq war, AIDS epidemic) to major design changes and significant outcomes in Spain—an interesting perspective, and a little trip down memory lane to the days of the first CD-ROMs and beyond.

    With time running out, I head to the final exhibition—unknowingly saving the best for last. The entry corridor features another timeline along each wall, this time tracking technological and philosophical developments from the 1500s to today. You’d need a full day to take it all in, but it covers everything from the evolution of AI to shifting thoughts on gender and sexuality. Whoever put this together in such a captivating way did a brilliant job.

    Like the rest of the gallery, the final area focused on sustainability and awareness. It was divided into sections based on raw materials—think petrochemicals, animal, mineral, plant—with finished products made from each. Some pieces fit perfectly into their category, while others challenged my assumptions, like the pottery cola bottles.

    As I finished the last room, “The gallery is closing” was announced over the speakers—well, in Spanish. A perfectly timed end to a thought-provoking and well-designed design museum. I wander into the nearby park, spotting the Sagrada Família in the distance. I think about walking closer, maybe exploring a bit more, but decide not to push myself. It’ll all still be there tomorrow—I don’t need to do everything today.

    Back at the hotel, Peta arrives not long after me. We catch up over a cocktail in the bar before calling it a night. Barcelona might just be redeeming herself a little on this trip.
    Baca lagi