Welcome to Alsancak, İzmir … Türkiye
5 hours ago in Turkey ⋅ ☀️ 82 °F
Two uneventful flights.
Two meal services … a hot meal on the 2½-hour BLQ-IST flight ; a cheese sandwich on the 45-minute IST-ADB flight.
Two landings … slightly delayed at IST; 25 minutes ahead of schedule at ADB.
One immigration control/passport check … at IST.
One baggage claim and customs checkpoint … at ADB.
One 30-minute train ride on IZBAN — İzmir’s commuter rail system … from the airport station in Gaziemir to the train station in Alsancak … free for us 65+ passengers (got to have a Turkish ID).
One 10-minute taxi ride from the train station to Mui’s sister’s apartment … our base of operations while in İzmir.
Unpacking and settling in can wait until tomorrow!
Oh wait … it’s already tomorrow … midnight struck a few minutes ago!
Oh well, the work can wait until after we have breakfast with Aylin and Murat, and drop in for a quick visit with mom.
But first … we need to get some shuteye!Read more
Aboard TK 1324 to IST
May 25 in Italy ⋅ ☀️ 90 °F
The Airbus A321-200 that was scheduled to take us on the first of today’s two flights landed at BLQ at 2:10p.
Since the aircraft was not connected to a jetway, there would be no by-row boarding today. No sooner than the aircraft was on the ground, passengers queued up for boarding … still at least ½-hour away. Go figure. Anyway, we waited until the line dwindled down and eventually made our way down to the tarmac and across to the aircraft. With seats in row 20, we walked to the mobile stairs at the rear for an easy embarkation.
Our aisle-aisle seats split up a family of four on either side of us. Since the aircraft had empty seats, the flight attendant moved the mother and two daughters to another row … which allowed me to hop into the window seat in Mui’s row … leaving the middle seat empty for a bit of extra elbow room. The legroom … well it is what it is in the economy cabin … OK for our short flight.
The aircraft pushed back at 3:04p and was wheels up 20 minutes later. We were flying in blue skies and sunshine soon enough.
Bonus for switching my seat … a distant but clear view of the Due Torri, the Cathedral, the Basilica of San Petronio, and other landmarks of Bologna’s Centro Storico.
Ciao per ora Bologna!Read more
Delay?
May 25 in Italy ⋅ ☀️ 90 °F
Not sure if there is a delay or not!
TripIt sent me an email advising of a 15-minute delay to our departure. The THY app still shows our flight leaving at 2:55p. However, the incoming flight, which was due in at 1:55p, has not put in an appearance yet. We gave ourselves plenty of time for our connection from IST to ADB … so no worries at this time.
In the meantime, we arrived at the airport around 12:15p. Checked our bags and headed to security and immigration to complete the formalities. The automated immigration kiosks worked like a charm and we got the wave to continue into the secure area without having to see an agent in person.
With time to kill, we made ourselves comfortable at VyTA Bistrot and enjoyed a simple but tasty meal. Now, we are waiting at the gate for the inbound THY flight to land.Read more
And We Are Off
May 25 in Italy ⋅ ⛅ 86 °F
A 2:55p flight departure meant an easy morning at home.
Had a relaxed breakfast.
Washed the bed linens and towels … I’m sure they’ll dry by the time we return mid-June 🤣.
Mui took the recycling and trash to the bins at the head of our street … and even had time to walk over to Il Duca for his morning espresso.
Around 11:35a, ready ahead of our planned noon departure, we locked the door to officially begin our brief sojourn to Türkiye.Read more
Leaving On a Jet Plane
May 24 in Italy ⋅ 🌙 72 °F
Bags packed … ✅
Online check-in completed … ✅
Boarding passes added to our Apple Wallets … ✅
Perishables consumed … except for what we need to sustain us until we lock the door behind us … ✅
We are ready to take off tomorrow … for a couple of weeks.
Destination: İzmir, Türkiye … to oversee mom’s care while my sister and brother-in-law take a short sightseeing and beach break.
Watch this space for anything fun and newsworthy!Read more
Dinner with Işıl
May 23 in Italy ⋅ ☀️ 81 °F
For those who don’t know, Işıl is Mui’s sister.
She flew into Bologna this afternoon … with three friends. They are here overnight … and then onward on a DIY week-long tour that will take in places like Sienna and Firenze.
Mui picked her up from her hotel around 5:00p and we got together for drinks at a bar before continuing onto dinner at San Pietro … a trattoria/pizzeria not too far from her hotel.
A brief but sweet reunion.Read more
Pistoletto: Remise en Jeu
May 22 in Italy ⋅ ☀️ 81 °F
Earlier this week, we went to see the work of Michelangelo Pistoletto … the father. Today, we popped into Galleria Cavour 1959 to see the daughter’s work.
(Just see, mind you … the wearable art, I imagine, falls into the “if you have to ask, you can’t afford it” category since the pieces are sold privately through fine art galleries.)
"Remise en jeu," is the title of Cristina Pistoletto’s solo exhibition of pieces from her “Fuori Moda Crista” series. In this instance, what is also a sports term in French, roughly translates as putting back into play … or breathing new life into something old, if you will.
The genesis of the series dates back to 2014 … when Cristina transformed an old black coat by applying to its back a needlework piece depicting a sailing ship. Today, that collection has 100 first edition pieces, each numbered and registered as unique.
The vintage coats, jackets, dusters, and cardigans are from her own collection. The hand-made needlework pieces were created by grandmothers and aunts. What once hung on walls are now displayed on garments … roses, poppies, landscapes, seascapes, reproductions of the art of Raphael and Leonardo. She also used salvaged objects such as small dolls, decorative buttons, fairytale characters, doilies, and more.
A sign on the wall describes every piece as “… an archive that carries traces of time, work, and affection. … Father and daughter, two distinct paths that speak to each other and both question the relationship between art, memory, and the present.”
As someone who has done quite a bit of embroidery, I really appreciated the work at this exhibition. I was never a needlework person, however. That was mom’s forte. My thing was counted cross-stitch … from scratch, and smaller the squares the better … 18 or 22 squares to an inch being my preferred format. My work hangs on the walls of our home in Colorado … where I can see and enjoy them when we are there.
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A couple of links to blog posts I did for some of my cross-stitch projects:
English Garden: https://2totravelphaeton.blogspot.com/2012/09/s…
Seaside Lovers: https://2totravelphaeton.blogspot.com/2011/01/x…
Big Cats: https://2totravelphaeton.blogspot.com/2013/12/x…Read more
Michelangelo @ Palazzo Boncompagni
May 19 in Italy ⋅ ☁️ 72 °F
Sorry … that’s not Michelangelo di Lodovico Buonarrati Simoni … of the Sistine Chapel fame! Rather, it is Michelangelo Pistoletto … of the Love Difference fame.
After our morning outing … and a bit of a rest, this afternoon we went to Palazzo Boncompagni, which was the home of Pope Gregorio XIII … from his birth until he was installed on the papal throne in 1572. Today, owned by the Benelli family since the 19th century, the palace serves as a host for contemporary art exhibitions and cultural events, while at the same time the family continues to restore parts of the building.
The exhibition we saw at the palace today is a retrospective entitled “Michelangelo Pistoletto. From Cittadellarte to Statodellarte” … or From the City of Art to the State of Art.
The City of Art referenced here is a civic laboratory, if you will, founded by Pistoletto in his birthplace of Biella … in the Italian Alps. The idea behind his concept is to show how creativity connects with all sectors of society.
The tour is guided … which helps to explain the pieces that are a result of over 60 years of research into the relationship between art, society, and politics. The tours are in Italian only. So, we used the “live translation” feature of our AirPods Pro (Gen 3) … which worked out OK once we acclimated to the inherent delay. Since he speaks and understands Italian, Mui definitely got more out of the tour. I managed to get the gist of things and supplemented it with some additional research once we got home.
The highlight of the exhibition is “Tavolo Love Difference” (Love Difference Table). An interesting work of art that is temporarily installed in the equally interesting setting of the Sala del Papa (the Pope’s Audience Hall). It consists of an oversized mirrored table shaped like the Mediterranean. The chairs around it are from the countries that border the Med.
The piece serves as the symbol of the Love Difference movement … an “Artistic Movement for an InterMediterranean Policy, founded by Pistoletto in 2002 and presented at the Venice Biennale in 2003, when the artist received the Golden Lion for Lifetime Achievement.”
Our tour concluded with “Mirror of Eternity” … an interactive installation … explained as follows: “… bridges physical and virtual realities by inviting visitors to upload their own portraits, which are then fused by artificial intelligence with those of other participants. The result is a continuously evolving display of entirely new, virtual faces that echo the generative logic of nature. This digital artwork—designed in collaboration with DMINTI—serves as an exploration of digital immortality and collective memory, allowing an individual's legacy to persist and spawn new artistic life long after they are gone.”
We had fun participating in the installation … the result (with magnification of a small section that I created) is included in the photos attached to this footprint.
Pistoletto’s work has piqued our curiosity … so, if we find ourselves in the area, we just might visit the City of Art in Biella.
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Card Cultura Update: With today’s €3 discount, I am now €7 ahead of the game and Mui is €4 ahead. What that means is that for €25 each, I have visited €32 worth of sites; Mui €29 worth of sites.Read more
Figures of Wolfango in Salaborsa
May 19 in Italy ⋅ ☁️ 72 °F
“Drawing is breathing, painting is living.”
~ Wolfango Peretti Poggi ~
We had not heard of Wolfango until we saw some of his illustrations at a temporary exhibit at the Archiginnasio last month … featuring works dedicated to Dante and others.
As it turns out, he was “… a celebrated international artist and painter who lived and worked in Bologna. His multifaceted work includes paintings, etchings, and drawings … as well as terracotta figures he made for his children.
The city is showcasing Wolfango in celebration of the centenary of his birth. The "Wolfango 100 - 100 Wolfango" is designed to highlight his work, and honor him through concerts, readings, documentary screenings, a photographic exhibit of the man himself … just to name a few of the events. Some of the events are already past … others are scheduled for later this year.
Today, as we were passing by Biblioteca Salaborsa, Bologna’s main multimedia public library inside the historic Palazzo d'Accursio, I remembered that some of his work is on display in the Piazza Coperta (covered square).
The info panel’s description of the “Figures of Wolfango in Salaborsa” temporary exhibition was a instructive as to what we would be seeing, so I am quoting it here rather than paraphrasing it …
“… you can admire five original drawings, large scenes crowded with characters from children's literature, which were later reproduced on the walls of the Puppet Room of the Salaborsa Ragazzi Library. The exhibition display cases also house sketches, preparatory drawings, and reference books. On the panels, in addition to the words of Antonio Faeti and Wolfango himself, there are spectacular enlargements that recall the Puppet Room and invite children and families to play a game of recognition. For the library, Wolfango has created a world of quotes that pay homage to children's literature and illustration, from Rodari to Calvino, from Luzzati to Disney, from Alice to the Little Prince... In each scene, he has amused himself with a self-quotation: Tom Thumb, Pinocchio, Sandokan... it's up to us to have fun recognizing them!”
And fun we had.
I was especially happy to see the reproduced panels as there was too much reflection on the glass display cases … making it not only difficult to see some of the details, but also to get any decent photos.
A short and sweet detour before it was time for our afternoon plans …Read more
Heart of the Diverdeinverde
May 17 in Italy ⋅ ☀️ 68 °F
The reason we went out in the first place this morning was to check out the ‘secret garden’ at Palazzo Boncompagni … usually closed to the public. Turns out that the garden was small and there wasn’t much to see.
Done with our outing way earlier than expected, we decided to head to the eXtraBO info point to ask about the Diverdeinverde event that was taking place over the weekend.
Diverdeinverde = Di verde in verde = from green to green!
Unlike Bologna Welcome, the main tourist office, eXtraBO focuses on the outdoors — “… trekking, cycling, slow-tourism adventures in the surrounding Apennines, plains, and hills.” As such, a DIY tour of some of the historic private gardens, cloisters, and urban green spaces that open for the Diverdeinverde special event, falls under their jurisdiction.
Using our Card Cultura to get an €3 discount per person, we purchased our tickets for €12 each — sent to us by email — and set about studying the map we were given to determine our route. Some of the 40 gardens participating in this 12th anniversary event were Saturday-only sites; others were outside the Centro Storico; and still others were ones we had already been to. In the end, we cobbled together 8 green spaces for a personalized route.
At the risk of offending the Bolognese people, I will say that several of the gardens were less-than impressive. Yes, we got to see these normally hidden green spaces, but they were in need of some TLC [tender loving care]. There was also very little in the way of the colorful flowers that one expects to find in a garden … except in a few places. The places outside the city and in the hills may have been better, but I can’t speak to them.
That said, we did get to see the city from a different perspective, and spent more time wandering around the city than we originally intended … over 11,000 steps in three hours or so. There was the occasional art work or fresco to enjoy as well. My ‘photographic eye’ found something at each garden. In most cases, the garden was peacefully quiet … always a bonus.
Besides, it was such a lovely day to be out and about after so many days with overcast and rain this week. So, not a bad outing in general.
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Card Cultura Update: With today’s €3 discount, I am now €4 ahead of the game and Mui has €1 to go . The cards have definitely been worth the purchase, and we haven’t even visited all the free sites yet!Read more
You Never Know … Street Photography
May 17 in Italy ⋅ ☀️ 61 °F
You never know what you’re going to see when you venture out in Bologna on a Sunday Morning.
This morning, when I went to meet Mui at Piazza de’ Celestini, we were surprised to see a procession by the Eritrean Orthodox Tewahdo Church come through … around the corner from our apartment. I tried to find out more information about it, but nothing came of my research. Perhaps it was a prelude to further celebrations for their independence from Ethiopia … the anniversary is next week.
Then it was a wedding party in front of Palazzo d’Accursio … with a cute Fiat Cinquecento as the bridal vehicle; and a few other things that caught my eye … including an adorable little girl all dressed up in her finery … the color of her dress made me think she was part of the wedding party we had witnessed.
And, of course, there was some fun and interesting street art.Read more
STREEAT®️ Comes to Bologna
May 16 in Italy ⋅ ☁️ 57 °F
STREEAT®️ is a traveling food truck festival that was launched in Italy in 2014. The event travels around Italy, setting up in public parks to feature ‘street eats’ and offer people a unique street foods experience. The idea is to promote and “… rediscover the flavors of Italian tradition, but also recipes from other countries.”
This weekend the trucks set up in the garden of Villa Cassarini … near Porta Saragozza in Bologna.
It rained Friday … too wet to dine outdoors. Other plans were in the works for Sunday … so going then was out. Besides, that’s when the Madonna would be processing back to the Sanctuary of San Luca after her week-long stay in Bologna … the area promised to be very crowded.
That left us with one option … to go today. We went early … there was rain in the forecast later in the day. And, of course, you know we — particularly, me — shy away from crowds. We also avoided possible long lines by going earlier … which is always a plus.
Arriving at the garden/park, we wandered around to see what foods were on offer by the 15 trucks participating in the event, and also take advantage of the opportunity for people-free photos … a quirk of mine.
We vetoed the American BBQ and smashburger trucks, and then made a second round of the trucks to further winnow down the options … until we settled on Sicilian delicacies. Of course, our decision had NOTHING to do whatsoever with the fact that waiting-to-be-filled fresh cannoli shells were stacked in the display case of that food. truck!!! (If you know Mui at all, you know that I am being a bit sarcastic here 😜.)
Good food …. nice weather, though we had to seek out what little sun there was as it was a bit chilly. We even had music from a DJ … though it was French and American … go figure!Read more
Modena: Maserati … Panini Collection
May 15 in Italy ⋅ ☁️ 55 °F
The USA has a “Motor City.”
Italy has a “Motor Valley” … of which Modena is considered to be the capital.
Today, hopping on a train — and then a bus … followed by a 1.2-mile walk — Mui went to Modena to check out the Maserati Umberto Panini Collection.
It was a good dreary-day-outing for him … all the more so after a computer mishap yesterday ‘ate’ the Weddell Sea video project he was working on. The trip certainly cheered him up.
Umberto Panini — a Modanese entrepreneur with “… a deep mechanical passion …” — founded the museum that first opened in the early 1990s. Since 2025, it’s been welcoming car enthusiasts at its current location.
Since I wasn’t on this outing with Mui, and he is not one to put pencil to paper, so to speak, the next bit is from the museum’s website …
“The Collection’s heart features an extraordinary selection of Maserati automobiles, tracing the brand’s evolution from its origins to the present day. Umberto Panini saved these in 1996, in their original core of 14 vehicles from the Official Museum. Among them are several iconic and rare models that testify to Modena’s engineering excellence and Italian design.
The Maserati Umberto Panini Collection is where the passion for motors is passed down through generations, safeguarding the memory of an era and celebrating Italian ingenuity—a true rebirth for the Trident’s history in Modena.”
The exhibition, which includes single-seaters from the pre-war era to the 2014 Alfieri prototype, spans over 100 years of Maserati production … or as the promotional card Mui was given says, “100 years of passion.”
As it was raining when he was ready to leave, Mui begged a ride to the bus stop from two British women who’d been wandering the museum as well. Thus he managed to complete a successful outing without getting wet!
(P.S. Mui didn’t know it at the time, but while he was gone, I went down a research ‘rabbit hole’ and managed to resurrect his Weddell Sea project after trying several recommendations I found on the web. So, he came back to that good news to further improve his day.)Read more

TravelerDid you hear what happened this afternoon in Modena? A car sped into a group of pedestrians, injuring 8 people. 2 of them are seriously injured

Two to TravelDidn’t hear that … such a sad thing. (Even though I am posting this today, he was there yesterday.)

TravelerSo, I start reading and said “oh no” when I saw about the Wendell Sea mishap (the BEST blog posts, photos and videos ever!). Then I see at the end you came to the rescue!!! Now perhaps we will all get to see the finished product someday?!?! And then saw the comments about what happened the next day. Crazy and fortunate timing on all fronts!

Two to TravelOh it will be a while before there is a finished product! 😉. What happened in Modena was nowhere near where Mui was, but crazy and sad nonetheless.
La Madonna di San Luca in Città
May 13 in Italy ⋅ ☁️ 66 °F
The much-revered Madonna of San Luca has come to Bologna for a brief stay.
(The footprint I wrote of our visit to the Santuario di San Luca last fall explains about the ancona and why the shrine is so important in the Christian world. You may wish to read it first … https://findpenguins.com/8pccjefaitoru/footprin….)
The ancona of the Madonna and child was processed in on the 9th — that is, she was brought down from the Santuario di San Luca with all the pomp and circumstance of a procession and placed in the Bologna Cathedral … formally the Metropolitan Cathedral of Saint Peter. She will be in the city until the 17th … when another procession will return her to the sanctuary, which sits at the top of Guardia Hill.
Since we went up to the sanctuary during our Bologna recon trip last fall, we thought it would be fun to take a quick peek at the icon of the Madonna while she’s visiting the city. We purposefully went mid-morning thinking that mass would be over. Turns out that wasn’t the case. In fact, there is a special mass schedule for the duration of the Madonna’s stay at the cathedral.
We were set to leave and try again later when we noticed that in addition to worshippers sitting in the pews for mass, tourist and school groups were coming in and out, wandering around, taking photos and selfies. No one seemed to mind … certainly none of the men dressed in formal black tailcoats — members of a historic lay confraternity who have various duties, including collecting offerings from the faithful — were stopping people from taking photos. So, we found a discreet spot from which to take a couple of photos of the proceedings, listened to the choir singing a hymn, and then quietly left.
I’m not sure if we will try to see the procession returning the Madonna to San Luca. I’m not sure I could deal with the mass of humanity that would be accompanying it. We’ll see.
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REMINISCING: We were in Cusco, Peru in 2009 … right around Easter … when the Señor de Los Temblores (Christ of the Earthquakes) processes around the city. With the promise of a perch that would keep us above and away from the immense crowds that flooded into the square for the procession, I agreed to check it out.
I mention this because the photos of the Madonna’s procession reminded me of that experience … which was admittedly quite interesting. I’m including a link here if you would like to see the images included in the blog … worth taking a peek, if I do say so myself, just to see a ‘youthful’ Mui and Erin 🤣 … https://2totravelperu.blogspot.com/2009/04/day-….Read more
On the Train: Mui’s Colorful Seatmate
May 11 in Italy ⋅ ☀️ 72 °F
Mui hopped on the TTPER train this morning to do a bit of shopping … IKEA and Carrefour.
On the way back, he had a colorful seat-mate.
The young man gave him permission for a photo, explaining that the two of them always travel like this. Then he let his companion make the rounds, visiting the other passengers in the train car.
This falls into the ‘you never know what you’re going to see’ category.Read more
Ravenna: Museo Nazionale
May 8 in Italy ⋅ ☁️ 68 °F
The National Museum of Ravenna was not one of the places we planned to visit on this trip. Seeing as how close it was to our B&B, however, this morning we decided to add it to our itinerary.
Initially, we thought it would be an easy place to visit tomorrow morning before we head back to Bologna. Then, finding ourselves at a loose end this afternoon, it seemed like a better idea visit the museum today … not having to deal with luggage storage being a bonus.
The core collection that led to the establishment of the museum in 1885 consisted of items gathered by monks in big-city abbeys. The museum was moved to its present location at what was once the Benedictine Monastery of San Vitale and opened to the public in 1903.
In addition to the items that formed the nucleus of its collection, the museum exhibits archaeological finds, sculptures of Byzantine origin, artifacts from some of the city’s UNESCO-listed monuments, furnishings, artisanal pieces, textiles, Renaissance-era bronzes, ivory carvings, ceramics, ancient armaments, and curiosities … just to name some of the categories.
There was no map for us to follow to do our usual ‘treasure hunt’ visit this time. Mui and I started out exploring together, walked through the first cloister, then took the monumental staircase to check out the exhibits on the first floor … starting with the 18th century “Farmacia del Moro” (the Moors Pharmacy) with its ornate cabinets and open shelves lined with apothecary jars, mortars, and more.
Mui soon outpaced me, however … par for the course. Eventually, he left to return to the B&B, leaving me to wander through the museum at my leisure.
Ready to leave after a three-hour visit, I followed the signs to the exit … only to find the second cloister … filled with archeological finds, and one last exhibit … that of the fresco cycle that once adorned the Church of Santa Chiara … today’s Luigi Rasi Theatre.
We’d entered the museum through the grounds of the Basilica di San Vitale. When I exited the museum, I found myself on a street that I was unfamiliar with. Getting my bearings, I figures that if I kept making left turns I would find my way back. I was right. Before long I was at the B&B.
Tomorrow we return to Bologna … but we have plenty of time to check out, from our lodgings, so we’re leaving our packing until the morning. Time for some snacks in lieu of dinner and then … well, methinks it will be time to put up my feet and give them a rest!Read more

Two to TravelReminds me of some of the ceramic ware we saw in the towns along the Amalfi Coast.
Ravenna: A Stroll, A Fountain, and Lunch
May 8 in Italy ⋅ ☁️ 66 °F
Since we got to see the “Stone Carpets” earlier than planned, we decided now would be a good time to fit in another mosaic site … this one fairly new … dating back to the early 21st century 🤣 … 2004, to be exact.
Google Maps wanted us to follow city streets to get to our destination near the Ravenna city walls. We did that for part of the way, but then detoured to a path through Giardino Callegari & Ghigi. More of an open field than a garden, the raised path along a wall made it feel like we were walking atop city ramparts. Even better, the path took us right across the street from our destination … a monumental mosaic fountain by one of Ravenna’s famous mosaic artists … Marco Bravura.
Fontana Ardea Purpurea is part of a twin fountain project. The earlier, smaller one is apparently in Lebanon. Both are symbols of rebirth.
The name of the fountain is the scientific designation for the purple heron. As well, it is one of the ancient names of the Arabian Phoenix that rose from the ashes. Both are birds, though, so perhaps they are one and the same. Anyway, the symbology here is associated with the phoenix. Just as the bird is reborn, so do mosaics rise from the ruins of materials that are destroyed and recomposed.
The two panels of the fountain — every inch covered by mosaic tesserae in a rainbow of colors — rise up nearly 40 feet and are reminiscent of the double helix shape of human DNA … or the shape of a rising phoenix (or heron IMHO) with its wings outstretched above it. Sinuous … elegant … graceful. Depending on your angle of viewing, the panels alternately separate and come together in unity. Could that represent the moving wings of a bird? I don’t know, but intentional or not that was the impression I gained.
On the ground between the panels is a water spout … symbolic of the fact that without water there is no life. If the light conditions are just right — they weren’t today — the water reflects the colors of the tesserae. While no play of colors today from the water, I found that as I walked around the fountain, the hues of the panels shifted from golden yellow, to pink and pale magenta, to red and orange … ever-changing as the angle and ‘color’ of the light changed.
From what I read, the iconography used in the design of the panels was inspired by ancient oriental languages, and the tiles form characters from the Phoenician alphabet, symbols of Judaism, words in Sanskrit, Aramaic, Greek and ancient Japanese.
I was fascinated by the fountain and spent some time studying the details, while Mui went to a nearby café for a ‘pick-me-up espresso’ 😊.
From the fountain, we retraced our steps back to the historic center.
Mui had found an off-the-beaten-path place for lunch. But we still had half-an-hour before it opened at 12:30p. So, we walked up the street a bit to a café/bar for an aperitivo. I knew that I wouldn’t eat lunch if I ordered my own drink, so we decided to share.
Mui asked for an Aperol spritz, but the bartender suggested he try a Select spritz instead … made with Select — a Venetian bitter liquor — and Prosecco and soda water … without the olive garnish, thank you very much. A deeper red-orange in color, it was slightly more bittersweet than an Aperol, but quite delicious. It was served with a carafe of peanuts, a bowl of potato chips, and some cheese puffs … which we haven’t had since the early 1980s!
We walked over to Hostaria Pasolini around 12:45p … the first patrons to arrive for lunch. In fact, we had the place to ourselves almost for the duration of our meal. Regardless, our meal was great … our surroundings charming … the service quietly efficient.
Mui ordered the beef steak, which was a bit sinewy, but otherwise tasty. Sautéed Swiss chard was his vegetable side. I ordered pasta — mixing and matching from the list of pasta and sauces printed on the placemats. We both agreed that the pappardelle with the Hostaria’s signature sauce — mushrooms, speck, and peas — was to-die-for delicious.
Dessert was gelato from Mordenti, overlooking Piazza John F. Kennedy
Then, back to the B&B to rest up a bit since the place we wanted to visit in our neighborhood didn’t open until 2:30p today.Read more
Ravenna: Domus dei Tappeti di Pietra
May 8 in Italy ⋅ ☁️ 66 °F
It was just after 10:15a when we arrived at the entrance to Santa Eufemia … the central structure of which was built in the 18th century over an ancient early Christian temple. Tradition would have us believe this was where the first worship place in Ravenna was founded by Saint Apollinaris.
That may well be the case.
But we were at the church for a non-religious reason. You see, one must go through Santa Eufemia in order to visit the “House of the Stone Carpets” in the basement.
Our timed-admission wasn’t until 11:00a, but we decided to try our luck and see if we could gain entrance earlier. Sure enough … the guy at the desk barely looked at our tickets before giving us the nod.
Though there is no mention of this archeological site in guidebooks — at least the ones I browsed in preparation for our trip to Ravenna — the domus is considered one of “…Italy’s most important archaeological sites discovered in the last decades.”
Turns out that a complex of buildings dating back to between the 1st and 6th century were unearthed during excavations for a parking lot. Amongst them was a 14-room Byzantine structure — a so-called palace or at least the home of a very rich family. Findings also included other residences, a thermal plant, and a necropolis … the latter probably connected to the church.
Today, walking along a raised walkway in the church basement, one sees restored mosaic and marble floors in situ. All the rooms — though there are no walls — were paved with marble inlays or polychromatic tesserae with geometric and floral patterns … some with figured insets.
The most important of the figured insets is the one in what is thought to have been the banquet hall. It is a mosaic representation of the seasons entitled the “Dance of the Seasons,” which shows four figures (one of them is all but missing) dancing to the music of panpipes. The original inset has been removed from the flooring for ease of viewing. (A copy was placed where it would have been in the floor.)
Another important inset is entitled “The Good Shepherd” … dating back to the 4th century. One of the information panels identified it as being in room 18, which is not on the floor plan for the domus, but there was a copy of it for visitors to at least see what it looks like.
Admittedly, we’ve seen far more impressive floor mosaics during our travels. The Hellenistic and Roman ones at the Zeugma Mosaic Museum in Gaziantep, Türkiye, for example, feature elaborate scenes from mythology.
That’s not to say that we were disappointed with Ravenna’s Tappetti di Pietra. We weren’t. It is always fascinating to me how artisans put together complex geometric designs so precisely with the tools they had at hand in ancient times.Read more
Ravenna: Basilica di San Vitale
May 8 in Italy ⋅ ☁️ 64 °F
Yesterday, I ended the footprint for the third ticketed-site for UNESCO-listed mosaics with the comment that today’s last two sites had a high bar set by the previous ones.
Boy did they deliver or what?! First, the Mausoleum of Galla Placidia, which I wrote about in the previous footprint. And then the Basilica of San Vitale … the topic of this footprint … and definitely unmissable regardless of your faith, or lack thereof.
We did not intentionally leave these two sites as the last ones. The order of the visits was determined by the time slots available for our time frame in Ravenna. Well, we certainly did things in the right order IMHO … as each site was even more impressive than the one before.
Alrighty then. Let’s get on with what the basilica — one of the most celebrated Byzantine monuments — had in store for us.
Commissioned during the Gothic Kingdom in the early 6th century — after Bishop Ecclesius visited Constantinople, a generous donation by a banker ensured that it took a mere 20 years to build the grand edifice. Built to honor the rule of Emperor Justinian, the basilica was consecrated to St Vitale by Bishop Maximian (he of the ivory throne fame) in 547. Tradition has it that the site was in fact chosen because the remains of this early Christian martyr were found here.
Located just steps away from the Mausoleum of Galla Placidia, we simply walked through the manicured grounds to the rear door of the basilica. I was immediately taken by the mosaics on the floor of the ambulatory. Head down, I walked around, taking some detail shots … noticing the marble cladding that reminded me of Rorschach test inkblots.
Then, I stopped … looked up … and there they were. The mosaics that adorn the sanctuary and apse … different from the many others we’d already seen … beautifully detailed with shades of green serving as the background … in a basilica where the height of the walls made it seem bright and airy. Simply WOW!
OK, so I did notice the painted dome, too. But it took second place to the mosaics. The floor of the polygonal nave was also impressive … marble inlay … large-scale mosaics, if you will … including the labyrinth in front of the sanctuary.
There was so much detail … so much to focus on. I’d look at one thing, only to be distracted by something else. Mui seemed equally entranced. Impossible to take it all in.
I read on the website I linked below that it was the golden mosaics of San Vitale that inspired Gustav Klimt’s ‘golden phase’ following his visits to Ravenna in 1903. Anecdotal or not, I can see how that might have been the case. But for me it was the mosaics against the fresh, green tiles that stood out. Those are the ones I will remember the most.
(For those who would like more detail on the mosaics: https://www.ravennamosaici.it/en/basilica-of-sa….)
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SOAPBOX WARNING … read if you wish: I had read that visitors often try to walk the marble labyrinth and try to make their way out as it symbolizes re-birth. No luck doing so today … every tour guide seemed to plant himself right on top of the labyrinth, droning on endlessly with little regard or concern for independent visitors.
I’ll get off my soapbox about the irritating “I own this place” behavior exhibited by some guides … after I mention that it also drives me nuts to see tour guides allowing their ‘flock’ to take over a street as they move from one place to another.
I have nothing against tours — though thus far we’ve avoided taking too many as I prefer to set my own pace — but a little consideration for independent visitors would be nice.Read more
Ravenna: Mausoleo Galla Placidia
May 8 in Italy ⋅ ☁️ 63 °F
A good night’s rest. A simple, self-catered breakfast. At 8:55a, we left the B&B and walked across the road to today’s first timed-entry to see more of Ravenna’s UNESCO-listed mosaics.
And, boy did we see some truly breathtaking ones … even though we only had 5 minutes to feast our eyes on the mosaics. (As the first group in this morning, we might have been given a few extra minutes before the second group arrived … but ssh, don’t tell anyone!)
One of the oldest buildings in the city, the mausoleum, which dates to after 426 AD, was commissioned by Empress Galla Placidia … daughter of Theodosius the Great, who ruled the Roman Empire in the late 4th century. The de facto ruler for 12 years as regent for her son, she is considered to be one of the most powerful figures of the Western Roman Empire.
It was Galla Placidia’s desire to be laid to rest here with her second husband, Constantius III, who was named co-emperor by her brother Honorius. She died in Rome, however, and was laid to rest there. The sarcophagi in the niches of the mausoleum are all empty.
From the outside, the building is small and inconspicuous, and is no longer connected through a narthex with the Church of Santa Croce … now outside the fenced in property where the mausoleum is located.
It’s a different story inside. The mausoleum is a treasure trove of mosaics … that take on a golden hue where the sunlight shines through the alabaster windows. The blue mosaic dome is studded with golden stars, giving one the impression of being under the canopy of the night sky.
The whole interior is amazing, but if you don’t look up as you cross the vestibule to exit the mausoleum, you can easily miss one of the best mosaics … that of Christ as the good shepherd. The details are truly amazing.
Turns out that Cole Porter, the American jazz master, visited the mausoleum when he was in Ravenna on his honeymoon. The magnificent mosaics left such an impression on him that it is said that they were the inspiration that led him to compose his famous song, “Night and Day.”
No musical compositions from us, but perhaps Mui will someday sketch his interpretation of one of the mosaics.
(For those interested in more information about the mosaics … https://www.ravennamosaici.it/en/mausoleum-of-g….)Read more

TravelerI’m curious, how much of this is so perfectly lit vs what you do in editing as it always looks so exact and given how old these are it is extra impressive how they come across in photos.

Two to TravelKaren, the amount of lighting varies from one place to another. Certain parts are spot lit to draw notice. I shoot raw and I do post-processing (mostly fixing horizons and such, which is a problem with my astigmatism,) but I do try to stay as close to what I actually saw.

Two to TravelI also try to look for angles with even lighting … but not always easy to find those.
Ravenna: Zona Dantesca
May 7 in Italy ⋅ ☀️ 72 °F
Dante Alighieri … a name that is probably known to everyone … as is his signature work, “La Divina Commedia” (The Divine Comedy).
A revered Italian poet, writer, and philosopher. He was born in Firenze in 1265, and lived and served there as a city official until he fell afoul of Pope Boniface VIII and the pope’s supporters, the Black Guelphs. He was eventually permanently exiled in 1302 and threatened with being burned at the stake if he ever returned.
And that’s how Dante ended up in Ravenna sometime between 1314-1317 … the exact date is debated. It is accepted, however, that the city offered him a “peaceful last oasis.” It was here that he died in 1321 … never seeing his beloved Firenze again … nor his wife and children, who remained behind when he was exiled.
There is quite the cult associated with Dante, and in Ravenna, there is an entire area dedicated to him … Zona Dantesca … aka Zona del Silenzio (Zone of Silence) … the center of which is the Tomba di Dante.
After I released Mui from his prison, we set out to visit the tomb. (The story of Mui’s ‘incarceration’ is at this link if you skipped that story … https://findpenguins.com/8pccjefaitoru/footprin….)
One is not allowed inside the tomb, which was built between 1780-1782, and where his remains are currently buried. Or so they say! Haven’t seen them for ourselves, so we can neither confirm nor deny that they are there 😉.
Yes, I am being a bit sarcastic here. His remains did move around a bit, so it’s not unusual for inquiring minds to wonder.
Anyway, first they were ‘stolen’ by Franciscan monks to hide the remains from the Fiorentini, who were given permission in 1519 to claim the remains. They were later hidden again in a cloister wall to protect them from Napoleon’s troops. After being ‘found’ in 1845, they were hidden once more to protect them from WWII Allied bombing raids. Dug up in 1945, they were retuned to the tomb for the final burial.
Our initial plan was to return to the B&B after paying our respects at Dante’s tomb. But seeing as how it was still early, we extended our visit to Zona Dantesca.
First we went to Casa Dante, which dates back to the 14th century. The name is a bit of a misnomer since he did not live there … but is believed to have been hosted by the owners of the house … the Da Polenta family, lords of Ravenna.
Today, there is a museum of sorts housed at the Casa. The facility is described as “… a multifunctional center for Dante studies and exhibitions” … including a room where several Dante-related paintings are on loan from the Uffizi Gallery in Firenze. The eclectic items at Casa Dante include examples of the use of Dante’s image for product advertisement, and the box in. which his bones were ‘hidden’ during WWII.
Admission to the Casa includes access to Museo Dante, which is housed on the first floor of the former Franciscan Monastery around the corner. That was our next stop.
The museum opened in 1921, on the occasion of the 6th centenary of his death. Back then, it was a storage of relics and memorabilia owned by the municipality. It later underwent changes and re-opened as the new museum on the 700th anniversary of his death. It has a number of interesting exhibits, including a multimedia room and a display based on Dante’s stereotypical image … created by Boccaccio … who never actually met the man.
We wrapped up our visit at the Basilica di San Francesco, which is located in the square behind the tomb. Dating back to the 5th century, nothing remains of the original church, which was restored over the centuries. It was in 1261 that
the Franciscans made the church their seat and gave it the current name by which it is known today.
It is generally accepted that this is where Dante would have likely been a congregant. After he passed, it was this basilica that hosted his funeral. And before the tomb was built, his remains were temporarily buried in a 5th century sarcophagus in a chapel here.
One of the fascinating aspects of the church is the crypt that dates back to the 9th/10th century … located below the presbytery. It is permanently flooded with groundwater … the level dependent on the amount of rainfall. One can see the remains of the original mosaic pavement, which was restored in 1877. To view the crypt, one turns on the timed-lights by inserting €1 in the mechanism next to the opening.
I read that the crypt is emptied to clean the mosaics and collect the coins tourists and locals throw in the water. Not sure, however, what they do with the goldfish we saw swimming around!!!
What was to be a simple tomb visit, turned into much more … a very enjoyable conclusion to our second day of sightseeing in Ravenna.Read more
Ravenna: Museo e Cappella Arcivescovile
May 7 in Italy ⋅ ☀️ 72 °F
The Archiepiscopal Palace (Bishop’s Palace) today offers a two-for-one visit opportunity — to gaze upon amazing UNESCO-listed mosaics in a 6th century chapel and to see archaeological artifacts.
When we approached the Neonian Baptistery 15 minutes ahead of our scheduled entry, we were allowed to go inside. No such luck here … primarily because there was a tour group inside. So, after Mui left to go back to the B&B to rest up, I wandered around a bit more, stopping for a feet-rest-break and a cold beverage at the garden where we had coffee this morning.
And then back to the Bishop’s Palace, which was built in the 5th century … conveniently next to the Duomo di Ravenna. Ticket scanned, I made my way up the stairs … along with 10-12 other people who were visiting during the same time slot of 1:00p.
There was no one directing us, or telling us which door to use, but we all ended up in the right place … the museum. When I realized that everyone in the group was dallying amongst the artifacts in the first room, I reversed the order of my visit. Asking one of the guards if the chapel was on this floor as well, I made my way there for what turned out to be several private minutes to study the excellent mosaics and take photos ‘sans people’.
Cappella di Sant’Andrea (St. Andrew’s Chapel) was built during Theodoric’s time as a private oratory for Catholic bishops … and is the only early Christian chapel that has survived intact to modern times. It is aptly described as the “… jewel within the palace.” Around the middle of the 6th century, following the conquest of Ravenna by the Byzantines, the remains of St. Andrew were brought here from Constantinople (modern day İstanbul in Türkiye) and the chapel was consecrated in his name.
Each of the three mosaic sites we’ve visited in Ravenna thus far has surpassed the previous. The two sites for which we have tickets tomorrow have a high bar to live up to and further amaze us!
(For more information about these mosaics … https://www.ravennamosaici.it/en/st-andrew-chap….)
Onto the museum … which was established in the 18th century by Archbishop Farsetti who wanted to ensure the preservation of artifacts following the 16th century restoration carried out on the cathedral (aka Basilica of St. Ursus). Most of the items on display are on the first floor, but there is a small art gallery and additional artifacts on the second floor.
While there is plenty to admire at the museum — including fragments of mosaics that once adorned the cathedral’s apse, the highlight for me was the ivory throne of Archbishop Maximian that once stood in the cathedral but is now preserved in a glass cabinet here. The 6th century carved ivory throne is not only priceless, but is also an amazing feat of artistic endeavor.
Well worth the price of admission, and obviously very popular with visitors since Mui and I ended up having to split up our visit just to gain entrance.Read more
Ravenna: Battistero Neoniano
May 7 in Italy ⋅ ☀️ 68 °F
… also known as the Orthodox Baptistery 🌀 for us: another ticketed-site for the UNESCO-listed mosaics of Ravenna.
Thought to have originally been a Roman bath (its floor now nearly 10 feet below the current floor), the octagonal baptistery dates back to the early 5th century when Ravenna became the capital of the Western Roman Empire … making it one of the oldest early-Christian monuments in Ravenna.
The building was converted to a baptistery on the orders of Bishop Ursus; the mosaic decorations were added in the late 5th century by Bishop Neon … hence the name by which the baptistery is commonly known now. It is considered the best preserved of all similar structures built in the ancient worlds of both the east and the west during the 4th-5th centuries.
The decorations that circle the interior consist of marble, topped by stucco, and surmounted by mosaics. The whole thing is capped with an amazing dome of mosaics … rich in color and detail. As would be appropriate for a baptistery, in the center of it all is a medallion showing Jesus being baptized by St. John the Baptist in the River Jordan. It is generally accepted that this mosaic of the baptism of Jesus is the oldest such depiction found inside a monument.
Due to the small size of the building, and its popularity, visits inside are in small groups; limited to 5 minutes. Way too short to truly appreciate the workmanship of the mosaics and study the details of the scenes one gazes upon. So much so that, both Mui and I opted for fewer photos than usual to enjoy the experience while we were there … be in the moment, if you will.
When I was reading up on the mosaics at the Neonian Baptistery, I came across a comment by Carl Jung. It is said that he was so struck by the beauty of these mosaics that he described seeing them as a “… wonderful hallucination.” He wasn’t far off … though I would probably use the words colorful fantasy instead.
(For those who would like more information about the mosaics: https://www.ravennamosaici.it/en/neonian-baptis….)Read more
Ravenna: Hagìa Anástasis … Now Duomo
May 7 in Italy ⋅ ☀️ 68 °F
With Mui off on his own for his timed-entry to see mosaics and more, I wandered around outdoors for a while. It was starting to feel downright hot in the sun, however. Seeing as how it was in the immediate vicinity, I decided to take refuge by visiting the duomo.
The Cathedral of Ravenna dates back to 402 AD … when the city replaced Milano as the capital of the Roman Empire. Dedicated to the Resurrection of Jesus (in Greek, Hagìa Anástasis) at the time, it later became the Basilica Ursiana … in honor of Bishop Ursus.
The building saw its first transformation in 1112 when the mosaics in the apse were removed. Heavily damaged during the Battle of Ravenna in 1512, it was eventually rebuilt in the mid-18th century with significant changes made. Its current design is Baroque, though the dome itself in Neoclassical. Despite all of the changes, the 10th century bell tower was retained as is.
I was taking a look at the “Easter Representation” — in the style of a Neapolitan nativity scene — when Mui called to say he was sitting in one of the pews at the duomo waiting for me to join him … no idea that I was there as well.
Time to go see our next UNESCO-listed mosaics.Read more
Ravenna: Street Photography … Day 2
May 7 in Italy ⋅ ☀️ 64 °F
Good night’s rest … up early to enjoy the sunshine and blue skies forecasted for today. While Mui was preparing breakfast, I squeezed in a quick stroll to check out some of the places I photographed during our sunset stroll yesterday. I tried to limit my shutter clicks … to no avail … the scenery was just too lovely.
We started our sightseeing with a walk that took us outside the city center in search of murals … using a tourist information map I found online. Alas … the only thing we accomplished was to add more steps to a day that already promised quite a bit of wear and tear on our feet. (A local told us that the murals were long painted-over … alrighty then.)
We spent the morning wandering around Centro Storico … before stopping at a lovely little green oasis in the shadow of the Duomo and ticketed-sites we’d be visiting.
Giardino Rasponi o Delle Erbe Dimenticare (Rasponi Garden or Garden of Forgotten Herbs) is set up like an open-air bistro … with trees and umbrellas providing shade in niches that give one a sense of intimacy. That there were no more than six people there when we stopped for a coffee break was surprising … but welcome amidst the hub-bub of the city.
This was the day where we had to split our timed-entry into one of the two UNESCO-listed mosaic sites. Mui at 11:00a … me at 1:00p … a joint site at noon in between the two. So, after our brief break at the garden, we went our separate ways; rejoined forces for a bit; and then went our separate ways again. (The stories coming up in separate footprints.)
It was 2:30p by the time I returned to Domus Galla Placidia … to find Mui locked inside!
Turns out that the couple sharing the B&B with us today misunderstood the sign advising guests not to double lock the door. In their defense, the sign really wasn’t clear … and locking the door from the outside was only a problem if someone else was in their room … as was the case with Mui. Apparently, the knob that unlocks the door from the inside was broken and just turned loose. Mui handed me the keys from the window and I set him free! (We sent a text to the owner, and will keep an ear out for other guests coming and going if we happen to be in our room.)
Following this little incident, we set out on another stroll. My plan was to visit just one place — a tomb. We ended up visiting the tomb, as well as a ‘casa’ and a museum, and a church. (I’ll write about it all in a separate footprint … maybe two.)
On the way back to the B&B, we searched out a place for an early dinner since we had skipped lunch due to our timed-ticket schedule. No luck … many didn’t open until 7:00p.
So, we went to Gamba’s, where we had lunch yesterday, and joined the locals who were enjoying their aperitivi in a quiet neighborhood just steps away from Ravenna’s Centro Storico. Since the kitchen was closed at that hour, we ordered drinks and a “tagliere” … literally, a cutting board … in this instance used as a platter on which a selection of local meats and cheeses, and accompaniments, are served. Fresh and delicious.
Perfect ending to our day!Read more









































































































































































































































































































































































































