Australia
Jar Island

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    • Day 125

      Kimberley Expedition: Day 3 (Morning)

      April 14 in Australia ⋅ ☀️ 88 °F

      Today we had our first experience with Aboriginal Rock Art … estimated to be around 10,000 to 20,000 years old!

      After breakfast, we gathered up our stuff and headed off on the Xplorer for a landing on Jar Island … in Vansittart Bay. The Island was so named in 1819 for Macassan pottery shards that were found here. Nowadays it is best known for the three easily accessible Gwion Gwion (sometimes spelled Giyorn Giyorn) rock art sites.

      Gwion Gwion (aka Bradshaw) rock paintings are one of the two traditions of the Kimberleys. The paintings have been categorized into two styles. These are not the earliest Aboriginal paintings … hope to see some of those at other sites.

      We were told there was the possibility that this would be a wet landing so we went prepared for that. As it turns out, the tide was out so the gangway was deployed onto the beach and we didn’t have to get our feet wet. Hiking across the sand, we followed a narrow path through the grass … some of it prickly.

      Following eroded rock plates, we eventually came to an area where we were split into two groups … one set doing the easy and hard walks; the other set doing the moderate walk. And then we swapped places. Mui and I opted to do the easy-hard first.

      True, we had to clamber over rocks and squeeze through some narrow paths between boulders on the way to the “art gallery.” And once we got there, we had to lie down on rocks and squirm around a bit to see some of the art painted on the bottom of protected ledges. Nonetheless, I’d be hard pressed to consider the hike a “hard” one.

      After swapping places with the other group, we trekked to the moderate site, which, by far had some of the best rock art … though some of them were particularly hard to photograph.

      We wrapped up the outing with a cruise around Jar Island, checking out some of the interesting formations and using our imagination to find dragons and toads.
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    • Day 4

      And the fun continues

      June 5 in Australia ⋅ 🌙 25 °C

      We had travelled overnight and by the time we woke up our ship was anchored several hundred metres of Jar Island, so named because an early explorer, believing he was the first non-native person to visit the area found shards from pottery jars littering the beach. (Later it was found that the jars had originated from Indonesian trochus fishermen). The main point of the day was visiting some very early Aboriginal cave paintings, possibly dating back 14000 years. We were warned that it would be hot on the tiny island, which it was, and that some agility would be needed in order to reach the two caves - also true. We’d be away for about an hour and a quarter.
      Our Zodiacs duly deposited us on the beautiful sandy beach and both of us were glad to have our walking poles with us to navigate the uneven terrain. The paintings themselves don’t stand out clearly, and it is difficult to do full justice to them in photographs. We were forewarned that access to the second cave, 100m or so away, was even more challenging and that anyone with limited mobility shouldn’t try. Those paintings were from a different era and in a different style. Despite the warning both of us managed to clamber over the boulders and succeeded without injury. On return to the ship everyone realised how hot and dehydrated we had all become. The two of us successfully self-medicated with cool cleansing ales.
      After lunch Dannii, one of our knowledgable and competent naturalists, gave us a fascinating hour-long presentation “Kimberley, Land of Extremes.” In it she covered a broad range of topics including the area’s history, climate, geology and wildlife. It was most informative and has certainly whetted our appetites for the days which lie ahead. Later in the afternoon Brian attended a workshop run by the ship’s photographer for the few SLR camera owners on board. It took the form of one on one discussions, which we could all tune in to, about making the most of the camera equipment we had. Brian certainly picked up some very useful pointers.
      An unexpected but spectacular highlight took place when we went up to the Observation Lounge to watch a spectacular Kimberley sunset. This was the first evening where we’d had a truly cloudless sky, and it so happened that our ship was heading due west at the time. The lounge is located immediately below the bridge and offers a 180 degree view. It was quite an experience to watch the sunset from that vantage point.
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    • Day 18

      Aboriginal Rock Art

      July 2, 2023 in Australia

      The Gwion Gwion rock paintings, Gwion figures, Kiro Kiro or Kujon (also known as the Bradshaw rock paintings, Bradshaw rock art, Bradshaw figures and the Bradshaws) are one of the two major regional traditions of rock art found in the north-west Kimberley region of Western Australia. Key traditional owners have published their own account of the meaning of the images. However the identity of the artists and the age of the art are contended within archaeology and amongst Australian rock art researchers. A 2020 study estimates that most of the anthropomorphic figures were created 12,000 years ago, based on analysis of painted-over wasps' nests. These aspects have been debated since the works were seen, and recorded, in 1891 by pastoralist Joseph Bradshaw, after whom they were named until recent decades. As the Kimberley is home to many traditional owners, the rock art is referred to and known by many different names in the local languages, the most common of which are Gwion Gwion or Kiro Kiro/Giro Giro. The art consists primarily of human figures ornamented with accessories such as bags, tassels and headdresses.Read more

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    Jar Island, Q21888195

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